Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek's 'Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto' had a release date set for August 2, 2001. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Rimsky-Korsakov: Capriccio Espagnol, Scheherazade". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Czechia. In terms of popularity, Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto by Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caucasian Sketches, Suite No. 1, Op. 10: IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | A Major | 3 | 11B | 103 BPM | ||
| Bizet: Carmen, Act 3: Entr'acte | Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
| Noches en los jardines de España: I. En el Generalife | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande, Mari Kodama | F♯ Major | 0 | 2B | 103 BPM | ||
| 8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
| Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | A Minor | 5 | 8A | 93 BPM | ||
| The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington | F Major | 1 | 7B | 109 BPM | ||
| Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Rotterdam Philharmonic Orchestra, David Zinman | D♭ Major | 0 | 3B | 131 BPM | ||
| Printemps, L. 61: I. Très modéré | Claude Debussy, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B Major | 0 | 1B | 88 BPM | ||
| España | Emmanuel Chabrier, Boston Symphony Orchestra, Seiji Ozawa | F Major | 3 | 7B | 126 BPM | ||
| Symphony No. 2 in B Minor: II. Scherzo | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): I. Marche des contrebandiers | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
| Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Neeme Järvi, Royal Scottish National Orchestra, Edwin Paling | G Major | 1 | 9B | 65 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
| Oberon, J. 306: Overture (Live) | Carl Maria von Weber, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 2 | 10B | 129 BPM | ||
| Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 4 | 9B | 76 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 0 | 7B | 87 BPM | ||
| Dolly, Op. 56: 6. Le pas Espagnol | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| Morceau de concert, Op. 94: I. Allegro moderato | Camille Saint-Saëns, Czech Philharmonic, Václav Neumann, Zdeněk Tylšar | F Minor | 1 | 4A | 121 BPM | ||
| Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude. In praise of the wilderness | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre C | B Minor | 0 | 10A | 102 BPM | ||
| Polovetsian Dances from Prince Igor: Allegro | Alexander Borodin, George Szell, The Cleveland Orchestra | D Major | 2 | 10B | 108 BPM | ||
| Lohengrin, Act III: Prelude | Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Choir, NDR Chor, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln, Semyon Bychkov | G Major | 2 | 9B | 126 BPM | ||
| Shéhérazade, Op. 35: IV. Festival at Baghdad - The Sea - Ship Breaks Against a Cliff Surmounted by a Bronze Horseman | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 2 | 9B | 91 BPM | ||
| Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: 5. Spacírka. Poco Adagio - Vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 4 | 3B | 84 BPM |