- BPM
- 120
- Key
- G Major
- Camelot
- 9B
Messiah, HWV 56 / Pt. 2: Why Do The Nations So Furiously Rage by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold Song Details
George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold's ' "Messiah, HWV 56 / Pt. 2: Why Do The Nations So Furiously Rage" was released on its scheduled release date, January 1, 2013. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #13. Based on our statistics, Messiah, HWV 56 / Pt. 2: Why Do The Nations So Furiously Rage's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
With Messiah, HWV 56 / Pt. 2: Why Do The Nations So Furiously Rage by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -15.954 dB
- Acousticness
- 95%
- Danceability
- 45%
- Energy
- 31%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 68%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Divertimento in F Major, "Die musikalische Schlittenfahrt" (The Musical Sleigh-ride) | Philip Lane, Leopold Mozart, BBC Concert Orchestra, Barry Wordsworth | F Major | 2 | 7B | 118 BPM | |
 | This Christmastide (Jessye's Carol) | Donald Fraser, Jessye Norman, New York Choral Society, The American Boychoir, Empire Chamber Ensemble, Robert de Cormier | D Major | 1 | 10B | 90 BPM | |
 | Prepare the Royal Highway (MESSIAH) | The Redeemer Choir Austin Texas | F Minor | 1 | 4A | 70 BPM | |
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 | Christmas Oratorio, BWV 248, Pt. 6 "For the Feast of Epiphany": No. 64, Nun seid ihr wohl gerochen | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 89 BPM | |
 | Messiah, HWV 56 / Pt. 2: He Was Despised | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Alfreda Hodgson | E♭ Major | 1 | 5B | 75 BPM | |
 | Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | D Major | 0 | 10B | 128 BPM | |
 | Messiah: Part 2, Thou shalt break them with a rod of iron (Air, Tenor) | The Sixteen | F♯ Major | 3 | 2B | 103 BPM | |
| Messiah: Part 2, Thou art gone up on high (Air, Alto) | The Sixteen | E Major | 1 | 12B | 82 BPM | |
 | II. Comfort ye my people | London Philharmonic Orchestra | B Major | 2 | 1B | 77 BPM | |
 | Cross of Jesus "Come, Thou Long Expected Jesus" | Sir John Stainer, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | A♭ Major | 1 | 4B | 85 BPM | |
 | All creatures of our God and king (Lasst uns erfreuen) | 17th-century German, York Minster Choir, Philip Moore | E♭ Major | 3 | 5B | 125 BPM | |
 | Joseph Est Bien Marié | Apollo's Fire | D♭ Minor | 1 | 12A | 100 BPM | |
 | Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | |
 | Missa Brevis No. 7 In B Major St. Joannis De Deo - Gloria | Joseph Haydn, Vienna Chamber Orchestra, Orchester der Wiener Staatsoper, Hans Gillesberger | A Major | 2 | 11B | 76 BPM | |
 | For Unto Us A Child Is Born | The Majesty And Glory Performers | G Major | 3 | 9B | 96 BPM | |
 | Christmas Oratorio, Op. 12 - Quare Fremuerunt Gentes? | Dresden Choruses | A Major | 1 | 11B | 75 BPM | |
 | Česká mše vánoční: I. Kyrie, "Hej, mistře, vstaň bystře“ | Jakub Jan Ryba, Michaela Šrůmová, Markéta Cukrová, Václav Čížek, Jaromír Nosek, Pavel Černý, Cappella Mariana, SOČR, Vojtěch Spurný | B Major | 10 | 1B | 115 BPM | |
 | Every Valley Shall Be Exalted | The Choir and Orchestra of Pro Christe | E Major | 1 | 12B | 109 BPM | |
 | Magnificat in G Minor, RV 610a: VII. Suscepit Israel | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 130 BPM | |
 | Have you seen a Child | Gian Carlo Menotti, Thomas Schippers | F Major | 2 | 7B | 140 BPM | |
 | Christmas Oratorio, BWV 248: Part I, 8. Arie "Großer Herr und starker König" | Johann Sebastian Bach, Akademie für Alte Musik Berlin, Klaus Hager, RIAS Kammerchor, René Jacobs | E♭ Major | 0 | 5B | 85 BPM | |
 | Trumpet Concerto in D: 3. Grave | Georg Philipp Telemann, Håkan Hardenberger, John Constable, Academy of St. Martin in the Fields, Iona Brown | B Minor | 0 | 10A | 61 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records