"'A vucchella" by Franco Ferraris, Franco Corelli, Orchestra had its release date on 1996. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. 'A vucchella's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Neapolitan Songs, Sacred Songs & Arias". In this album, this song's track order is #21. 'A vucchella is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 'A vucchella by Franco Ferraris, Franco Corelli, Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Aprile (Orch. Faris) | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Antonio Tonini | D♭ Major | 2 | 3B | 71 BPM | ||
| La traviata / Act 2: "Lunge da lei...De miei bollenti spiriti...O mio rimorso" | Jonas Kaufmann, Giuseppe Verdi, Jana Sibera, Prague Philharmonic Orchestra, Marco Armiliato | C Major | 3 | 8B | 76 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Tosca, Act I: Dammi i colori... Recondita armonia (Sagrestano, Cavaradossi) | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 6 | 1B | 84 BPM | ||
| Rigoletto / Act 3: "La donna è mobile" | Giuseppe Verdi, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | B Major | 3 | 1B | 93 BPM | ||
| Core 'ngrato | Franco Corelli | D♭ Major | 2 | 3B | 92 BPM | ||
| La Mia Letizia Infondere | The Young Pavarotti | E Major | 3 | 12B | 146 BPM | ||
| Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
| Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | F Major | 3 | 7B | 86 BPM | ||
| Donizetti: Don Pasquale, Act 2: "Ah! È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | E Major | 2 | 12B | 75 BPM | ||
| La serenata | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | F Major | 3 | 7B | 96 BPM | ||
| Il barbiere di Siviglia / Act 1: No. 4 Duetto: "All'idea di quel metallo" | Gioachino Rossini, Luigi Alva, Hermann Prey, London Symphony Orchestra, Claudio Abbado | G Major | 3 | 9B | 133 BPM | ||
| Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
| Non ti scordar di me | Ernesto de Curtis, Jonas Kaufmann, Orchestra del Teatro Massimo di Palermo, Asher Fisch | A♭ Major | 2 | 4B | 74 BPM | ||
| Il barbiere di Siviglia, Act I: No. 6, Aria. La calunnia è un venticello | Gioachino Rossini, Ruggero Raimondi, Chamber Orchestra of Europe, Claudio Abbado | F Major | 1 | 7B | 128 BPM | ||
| L'elisir d'amore, Act. I - Quanto è bella quanto è cara | Gaetano Donizetti, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | C Major | 3 | 8B | 70 BPM | ||
| Leoncavallo : Pagliacci : Act 1 "Recitar!" [Canio] | Ruggero Leoncavallo, José Cura, Philharmonia Orchestra | E Minor | 2 | 9A | 88 BPM | ||
| L'elisir d'amore / Act 2: "La donna è un animale" | Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 78 BPM | ||
| L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM | ||
| Mascagni: Cavalleria rusticana: "Gli aranci olezzano" (Coro) | Pietro Mascagni, Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra | A Major | 1 | 11B | 76 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | D♭ Major | 2 | 3B | 92 BPM | ||
| La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM |