Ann Rachlin's 'Cinderella Dances With Her Broom' had a release date set for 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 12 in Cinderella - The Story Of The Ballet by Ann Rachlin. Cinderella Dances With Her Broom is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cinderella Dances With Her Broom by Ann Rachlin is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Carnival of the Animals: 2. Hens And Roosters | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM | ||
| Walzer, Op.138, "Schlittschuhlaufer" | Émile Waldteufel, Schwanen Salon Orchestra, Georg Huber | A Major | 1 | 11B | 88 BPM | ||
| Babes in Toyland Overture - Instrumental Version | Babes in Toyland Orchestra | G Major | 3 | 9B | 125 BPM | ||
| Der Carneval in Paris Galopp, Op. 100, "The Carnival in Paris" | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Märzendorfer | B Major | 2 | 1B | 133 BPM | ||
| Tales of Beatrix Potter: The Tale of Squirrel Nutkin | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden | G Major | 2 | 9B | 113 BPM | ||
| La Bayadère / Act 1: No.5 Andante sostenuto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 90 BPM | ||
| Stars & Stripes - A Ballet in Five Campaigns - adapted and arranged by Hershy Kay: Fourth Campaign - Variation II | John Philip Sousa, Henry Lewis, James Watson, David Moore, National Philharmonic Orchestra | F Major | 3 | 7B | 132 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 3, Lise and the Ribbon | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Major | 1 | 9B | 121 BPM | ||
| My Fair Lady, Act I Scene 6: Colonel Pickering, I Don't Understand | Frederick Loewe, Penelope Wilton, Malcolm Sinclair, Matt McDonald | F Major | 3 | 7B | 128 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
| Fantasia on Greensleeve (Excerpt) | Ralph Vaughan Williams, Adelaide Symphony Orchestra, Ron Spigelman | C Minor | 0 | 5A | 79 BPM | ||
| Aurora's Sixteenth Birthday Party | Ann Rachlin | G Major | 3 | 9B | 118 BPM | ||
| Tandem: II. Misterioso | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | E Minor | 1 | 9A | 93 BPM | ||
| The Sound of Freedom | Emily E. Finke | F Major | 4 | 7B | 112 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Duruflé : 3 Dances Op.6 : I Divertissement | Maurice Duruflé, Marie-Claire Alain, Jean-Jacques Kantorow & Bamberg Symphony Orchestra, Jean-Jacques Kantorow, Bamberg Symphony | G Major | 1 | 9B | 99 BPM | ||
| Suite Bergamasque, L. 75: 3. Clair de lune (Arr. Henry Krips) | Henry Krips, Claude Debussy, Adelaide Symphony Orchestra, Ron Spigelman | G Major | 0 | 9B | 92 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
| 2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Oklahoma!, Act 1: No. 9, Many a New Day | Richard Rodgers, Sierra Boggess, Sandra Marvin, 'Oklahoma!' Ensemble, Sinfonia Of London, John Wilson | D Major | 1 | 10B | 129 BPM | ||
| String of Pearls | The Royal Wind Music | E♭ Minor | 0 | 2A | 96 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Teeny Weeny Woman | The Ghastly Ghosts | B Minor | 2 | 10A | 92 BPM |