- BPM
- 82
- Key
- D♭ Major
- Camelot
- 3B
Strauss, R: Der Rosenkavalier, Op. 59, Act 3: "Marie Theres'! ... Hab'mir's gelobt" (Sophie, Octavian, Marschallin) by Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Philharmonia Orchestra Song Details
"Strauss, R: Der Rosenkavalier, Op. 59, Act 3: "Marie Theres'! ... Hab'mir's gelobt" (Sophie, Octavian, Marschallin)" by Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Philharmonia Orchestra had its release date on October 20, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 62 in the song's album "Richard Strauss: Der Rosenkavalier". In this album, this song's track order is #59. Strauss, R: Der Rosenkavalier, Op. 59, Act 3: "Marie Theres'! ... Hab'mir's gelobt" (Sophie, Octavian, Marschallin) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Strauss, R: Der Rosenkavalier, Op. 59, Act 3: "Marie Theres'! ... Hab'mir's gelobt" (Sophie, Octavian, Marschallin) by Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Philharmonia Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -16.388 dB
- Acousticness
- 98%
- Danceability
- 11%
- Energy
- 19%
- Instrumentalness
- 0%
- Liveness
- 15%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Rigoletto / Act 3: Bella figlia dell'amore (Duca, Maddalena, Gilda, Rigoletto) | Giuseppe Verdi, Luciano Pavarotti, Denyce Graves, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 3 | 3B | 78 BPM | |
 | Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM | |
 | Tosca, Act II: Vissi d'arte | Giacomo Puccini, Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 76 BPM | |
 | Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | |
 | Carmen, Act I: Scene & Chorus. Sur la place chacun passe | Georges Bizet, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Major | 0 | 6B | 97 BPM | |
 | Cäcilie, Op. 27 No. 2 (Version with Orchestra) | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | E♭ Minor | 3 | 2A | 97 BPM | |
 | Verdi: La traviata, Act 3: "Teneste la promessa" - "Addio, del passato" (Violetta) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti, Renata Scotto | A Minor | 0 | 8A | 78 BPM | |
 | Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | |
 | Donizetti: Don Pasquale, Act 3: "Com' è gentil la notte a mezzo" (Ernesto, Coro) | Gaetano Donizetti, Riccardo Muti, Ambrosian Opera Chorus, Gösta Winbergh, Philharmonia Orchestra | A Major | 0 | 11B | 70 BPM | |
 | Madama Butterfly, Act I: Ecco. Son giunte al sommo del pendio | Giacomo Puccini, Herbert von Karajan, Wiener Philharmoniker, Wiener Staatsopernchor, Michel Sénéchal, Mirella Freni, Robert Kerns, Luciano Pavarotti | B♭ Minor | 1 | 3A | 86 BPM | |
 | Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | |
 | Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | |
 | Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | |
 | Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | |
 | Stabat Mater: 8. Inflammatus et accensus | Gioachino Rossini, Katia Ricciarelli, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende | D Major | 2 | 10B | 112 BPM | |
 | Der Rosenkavalier, Op.59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Yvonne Minton, Régine Crespin, Helen Donath, Otto Wiener, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 90 BPM | |
 | Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis | Carl Orff, Riccardo Muti, Jonathan Summers, Philharmonia Chorus, Philharmonia Orchestra | A♭ Major | 2 | 4B | 84 BPM | |
| Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti, Alfredo Kraus, Renata Scotto | A♭ Major | 1 | 4B | 85 BPM | |
 | Mozart: Die Zauberflöte, K. 620, Act 2 Scene 30: "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro, Chorus) | Wolfgang Amadeus Mozart, Gottlob Frick/Philharmonia Chorus/Philharmonia Orchestra/Otto Klemperer/Wilhelm Pitz, Otto Klemperer, Philharmonia Orchestra | C Major | 8 | 8B | 120 BPM | |
 | Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | |
 | Ariadne auf Naxos / Prologue: "Ein Augenblick ist wenig" | Richard Strauss, Edita Gruberova, Julia Varady, Gewandhausorchester, Kurt Masur | E Major | 1 | 12B | 95 BPM | |
 | Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Welsh National Opera Orchestra, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | |
 | Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | |
 | La bohème, Act IV: O Mimì, tu più non torni – Che ora sia | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Gianni Maffeo, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records