Sivashambo Sridas, Subash, Vijaya Rao's ' "Marubari - Kamas - Adi - Instrumental" was released on its scheduled release date, September 30, 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 5 in Flute Carnatic Classical by Sivashambo Sridas. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Marubari - Kamas - Adi - Instrumental's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Marubari - Kamas - Adi - Instrumental by Sivashambo Sridas, Subash, Vijaya Rao is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nachatta Nachatha Aale Ganapathy | Savita Sreeram | A♭ Major | 8 | 4B | 99 BPM | ||
| Govind Mana Lagaliya Chand | Laxman Gurav, Peramod Haryan | B♭ Minor | 8 | 3A | 103 BPM | ||
| Aarti Datta | Vishnubua Vavnjekar | F Minor | 7 | 4A | 93 BPM | ||
| Nodabanni | Surekha, Shamitha | D Major | 5 | 10B | 95 BPM | ||
| Bhasurangi Bale | Sreevalsan J. Menon, Edappally Ajith Kumar, Balakrishna Kamath, Kalamandalam Balaraman, Kalamandalam Rajnarayanan, Tripunithura Krishnadas | C Major | 5 | 8B | 133 BPM | ||
| Namo Datta | Sri Ganapathy Sachchidananda Swamiji | E Minor | 3 | 9A | 91 BPM | ||
| Mandir at Saffron Hour | Anura Bansuri | G Major | 3 | 9B | 83 BPM | ||
| Chandrachooda-Classical Instrumental Concert | Dr. Padmesh Parasuraman | B♭ Minor | 3 | 3A | 154 BPM | ||
| Sharade Karunanidhe | S.Aishwarya & S.Saundarya | A Major | 4 | 11B | 77 BPM | ||
| Tomai ki Diye Pujibo | Sreeradha Bandyopadhyay | C Minor | 5 | 5A | 120 BPM | ||
| Vande Krishnam | Mayuri Gandharvika | B♭ Minor | 4 | 3A | 100 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Madhyamakāla Sāhitya (2) | Ranganayaki Rajagopalan, Raja Rao | F Minor | 5 | 4A | 158 BPM | ||
| Behaag Thillana | Jayanthi Kumaresh | E Major | 5 | 12B | 116 BPM | ||
| Mathe Malayadwaja (Instrumental) | Peri Thyagaraju | D♭ Major | 4 | 3B | 164 BPM | ||
| Between the Lines | Apoorva Krishna, Vijay Prakash, Perico Sambeat, Eve Matin, Vinod Shyam, Patrick Duke Graney | A Minor | 1 | 8A | 110 BPM | ||
| The Cradle Song - Ragamalika - Adi | Kudamaloor Janardanan | E♭ Major | 3 | 5B | 160 BPM | ||
| Marubari - Kamas - Adi - Instrumental | Sivashambo Sridas, Subash, Vijaya Rao | E Major | 8 | 12B | 140 BPM | ||
| Pendaashtam | Ahmad Zahir | C Major | 8 | 8B | 112 BPM | ||
| Jaykaar | Devaki Pandit | C Major | 5 | 8B | 97 BPM | ||
| Thaye Yesoda - Flute | N. Ramani | A♭ Major | 4 | 4B | 157 BPM | ||
| Thirupugazh - Violin | Kunnakudi Vaidyanathan, Valayappatti A. R. Subramaniam | E Minor | 7 | 9A | 177 BPM | ||
| Chiratara | Sri Ganapathy Sachchidananda Swamiji | E♭ Minor | 7 | 2A | 100 BPM | ||
| Paalale | Mylai S. Rajendran & Party | D♭ Major | 3 | 3B | 159 BPM | ||
| Vrindavanave Mandiravagihe | Roopa Shree H S | A♭ Major | 3 | 4B | 159 BPM | ||
| Toogire | Suprabha KV | C Major | 3 | 8B | 144 BPM |