Rani Varma's ' "Atak Matak" was released on its scheduled release date, August 9, 2003. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Atak Matak's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 30 in Adam Tadam Tadtad Baaja by Rani Varma. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Atak Matak is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Atak Matak by Rani Varma is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tu Sukhkarta Tu Dukh Harta | Vasantrao Deshpande, Rani Varma | G Major | 7 | 9B | 175 BPM | ||
| Adam Tadam | Rani Varma | C Major | 1 | 8B | 60 BPM | ||
| Saibaba Majhya Shirdichya | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Dilya Ghetalya Vachnanchi | Arun Date | F♯ Major | 5 | 2B | 115 BPM | ||
| Shri Datta Stuti - Anusuya Atri Sukumara | Sagar Lele | C Major | 7 | 8B | 90 BPM | ||
| Bolava Vitthal Pahava Vitthal | Jayateerth Mevundi | F Minor | 6 | 4A | 89 BPM | ||
| Sanai Cha Sur Kasa | Swapnil Bandodkar | F Major | 8 | 7B | 142 BPM | ||
| Guntata Hriday He | Ramdas Kamat | E Major | 4 | 12B | 69 BPM | ||
| Rajas Sukumar Madanacha Putala | Bhimsen Joshi | A Major | 4 | 11B | 149 BPM | ||
| Prabhu Rama ne | Shubhangi Kedar | E♭ Minor | 4 | 2A | 168 BPM | ||
| Sada Mazhe Dola Jado Tujhi Moorti (From "Tukaram") | Ashok Patki, Anirudha Joshi | B Minor | 6 | 10A | 142 BPM | ||
| Tumhavar Keli Mee Marji Bahaal | Usha Mangeshkar | B Minor | 3 | 10A | 115 BPM | ||
| Omkar Swarupa | Suresh Wadkar | F♯ Major | 5 | 2B | 137 BPM | ||
| Palkhi Nighali Ti Payi Payi | Sacchidanand Appa | F Minor | 7 | 4A | 143 BPM | ||
| Chandane Shimpit Jashi | Asha Bhosle | D♭ Major | 4 | 3B | 112 BPM | ||
| Chala Alandila Jau | Vishnubuva Wavanjekar | D♭ Major | 4 | 3B | 104 BPM | ||
| Avaghachi Ha Sansar | Devaki Pandit, Ashok Patki | E Minor | 3 | 9A | 131 BPM | ||
| Mauli tu Vitthala | Avadhoot Gandhi | B♭ Major | 4 | 6B | 130 BPM | ||
| Nako Vajavu Shrihari Murali | Suryakant Shinde | A♭ Minor | 9 | 1A | 111 BPM | ||
| Kunya Rajana Rajana | Asha Bhosle, Varsha Bhosle | G Minor | 4 | 6A | 92 BPM | ||
| Kon Hotis Too Kaay Jhalis Too | Usha Mangeshkar, Chandrashekhar Gadgil | F Minor | 4 | 4A | 93 BPM | ||
| Sandhiprakashat | Salil Kulkarni | E♭ Major | 3 | 5B | 130 BPM | ||
| Saanj Ye Gokuli | Asha Bhosle | F♯ Minor | 4 | 11A | 128 BPM | ||
| Mumbaiche Ganpati | Suryakant Shinde | B♭ Minor | 6 | 3A | 75 BPM | ||
| Runanubandhachya | Kumar Gandharva, Vani Jairam | B♭ Major | 3 | 6B | 104 BPM |