Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers's ' "The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now" was released on its scheduled release date, 2015. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Handel & Haydn Society, Harry Christophers's "Haydn: The Creation & The Paris Symphonies" album is number 13 out of 56. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now by Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vivaldi: Magnificat in G Minor, RV 611: VII. Deposuit potentes (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | G Minor | 2 | 6A | 141 BPM | ||
| Dixit Dominus, HWV 232: Tecum principium in die virtutis | George Frideric Handel, Grace Davidson, Harry Christophers, The Sixteen | A♭ Minor | 2 | 1A | 77 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "Go return upon thy way" | Felix Mendelssohn, Edinburgh Festival Chorus, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Minor | 2 | 3A | 82 BPM | ||
| Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Kyrie - Adagio | American Bach Soloists | B♭ Major | 1 | 6B | 104 BPM | ||
| H.M.S. Pinafore / Act 2: Things are seldom what they seem | Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, Jeffrey Skitch, The New Symphony Orchestra Of London, Isidore Godfrey | B♭ Major | 1 | 6B | 86 BPM | ||
| Die Schöpfung, Hob. XXI:2, Pt. 2: No. 15, Aria. Auf starkem Fittiche schwinget sich der Adler stolz | Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 124 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
| Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Major | 2 | 8B | 122 BPM | ||
| Missa Sancti Hieronymi, MH 254: VI. Sanctus | Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin | C Major | 2 | 8B | 98 BPM | ||
| Requiem: Requiem: III. Sequenz - Dies irae (Coro) | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | C Minor | 2 | 5A | 109 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, And God said: Let the Waters | Joseph Haydn, Handel & Haydn Society, Matthew Brook, Harry Christophers | B♭ Major | 3 | 6B | 110 BPM | ||
| Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | ||
| Where the Bee Sucks | Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 70 BPM | ||
| Symphony in D Major, Op. 3, No. 1, W. C1: I. Allegro con spirito | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | A Major | 1 | 11B | 141 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "Woe, woe unto them who forsake Him!" | Felix Mendelssohn, Patricia Bardon, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | E Major | 1 | 12B | 83 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Herbert von Karajan, Wiener Singverein, Berliner Philharmoniker | B♭ Major | 2 | 6B | 119 BPM | ||
| Mass in D Major, Op. 86, B. 175: Credo. Allegro moderato | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka | D Major | 2 | 10B | 169 BPM | ||
| Mass in B Minor, BWV 232: Credo in unum Deum | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 193 BPM | ||
| Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Gut, Sohnchen, gut | Ludwig van Beethoven, Christof Fischesser, Nina Stemme, Rachel Harnisch, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
| Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | F Major | 0 | 7B | 118 BPM | ||
| Requiem: Requiem: I. Introitus. Requiem aeternam. II. Kyrie | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Major | 2 | 7B | 83 BPM | ||
| Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro | American Bach Soloists, Tamara Matthews, Jeffrey Thomas | E♭ Major | 0 | 5B | 76 BPM | ||
| Messe solennelle de Sainte Cécile: Kyrie | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Münchner Symphoniker, Hans Rudolf Zöbeley | F Major | 2 | 7B | 96 BPM | ||
| Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
| Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Sanctus - Allegro | American Bach Soloists | B♭ Major | 2 | 6B | 110 BPM |