- BPM
- 146
- Key
- F Major
- Camelot
- 7B
Suite No. 2 in G Major: La Mandoline by Antoine Forqueray, Michael Borgstede Song Details
Antoine Forqueray, Michael Borgstede's ' "Suite No. 2 in G Major: La Mandoline" was released on its scheduled release date, 2011. This song is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The song is number 9 out of 32 in Forqueray: Works for Harpsichord by Antoine Forqueray, Michael Borgstede. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Suite No. 2 in G Major: La Mandoline's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
The tempo marking of Suite No. 2 in G Major: La Mandoline by Antoine Forqueray, Michael Borgstede is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -20.646 dB
- Acousticness
- 48%
- Danceability
- 30%
- Energy
- 15%
- Instrumentalness
- 18%
- Liveness
- 20%
- Loudness
- 66%
- Speechiness
- 3%
- Valence
- 52%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Les Génies ou les Caractères de l'Amour: Rondeau | Mademoiselle Duval, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Major | 1 | 3B | 110 BPM | |
 | Suite En Mi Mineur: Allemande, II.98 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 2 | 2A | 120 BPM | |
 | Suite No. 1 in D Minor: No. 6, La Couperin. Noblement et marqué | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Pau Marcos Vicens, Gabriel Rignol, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | |
 | Couperin, L: Les Carillons de Paris, G. 140 (Version à quatre parties du 1er Carillon) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | |
 | Suite in G Minor: III. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | D♭ Minor | 2 | 12A | 93 BPM | |
 | Suite (Partita) No. 12 in C Major, FbWV 612: IV. Gigue | Johann Jakob Froberger, Władysław Kłosiewicz | D♭ Minor | 1 | 12A | 110 BPM | |
 | Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20 | Tarquinio Merula, Leila Schayegh, La Centifolia | B Major | 2 | 1B | 80 BPM | |
 | Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | |
 | Dominus regnavit: Parata sedes | Jean-Joseph Cassanéa De Mondonville, Ann Monoyios, Michele DeBoer, Tafelmusik Baroque Orchestra, Ivars Taurins | D♭ Major | 0 | 3B | 62 BPM | |
 | Mystery Sonata No. 3 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 0 | 3A | 80 BPM | |
 | Piece for English Guitar in D Minor: No. 1, Andante - Allegro moderato | Francesco Geminiani, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Minor | 1 | 12A | 112 BPM | |
 | Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | |
 | Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | |
 | Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | |
 | Concerto No. 2 in G Minor, Op. 3: I. Largo e staccato - Allegro | Francesco Geminiani, Accademia Bizantina, Ottavio Dantone, Alessandro Tampieri | D♭ Minor | 1 | 12A | 141 BPM | |
 | Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | |
 | Le Carillon de Passy (Légérement sans vitesse) | Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś | D♭ Minor | 1 | 12A | 179 BPM | |
 | Concert XXVII: Bourrasque - Balet | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | E Major | 1 | 12B | 121 BPM | |
 | Violin Sonata in A Major, Op. 5 No. 1: I. Adagio | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A♭ Major | 0 | 4B | 80 BPM | |
 | Canzoni overo sonate concertate, Op. 12: No. 4, La Treccha | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | |
 | Violin Concerto in A Major, TWV 51:A4 "Die Relinge": II. Adagio | Georg Philipp Telemann, Stephan Schardt, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 1 | 4B | 97 BPM | |
 | Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | |
 | Pieces de viole, Suite No. 2 in G Major: III. La Du Beuil | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | |
 | Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM |
- ISRC
- NLY331104304
- Label
- L-M Records/RCA Records