"Concertino da camera: I. Allegro con moto" by Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui had its release date on April 1, 2007. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claude Delangle, Lan Shui, Singapore Symphony Orchestra's "Ibert / Tomasi / Ravel / Maurice / Schmitt / Milhaud: Works for Saxophone and Orchestra" album is number 1 out of 14. On top of that, Sweden appears to be the country where this track was created. Concertino da camera: I. Allegro con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concertino da camera: I. Allegro con moto by Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonatine pour basson et piano: II. Aria largo cantabile | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 0 | 8A | 130 BPM | ||
| 5 Bagatelles for clarinet and piano, Op.23: 3. Carol - Andantino semplice | Gerald Finzi, Emma Johnson, Malcolm Martineau | B♭ Major | 0 | 6B | 173 BPM | ||
| Children's March "Over the Hills and Far Away" | Percy Grainger, The Arts District Chorale, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: II. Allegro vivace | Oskar Böhme, Center City Brass Quintet, Jack Sutte | C Minor | 1 | 5A | 156 BPM | ||
| Sonate, Op. 168: III. Adagio Allegro moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | G Minor | 0 | 6A | 68 BPM | ||
| La fille aux cheveux de lin [The Girl with the Flaxen Hair]: (Debussy) | Joseph Alessi | F Major | 0 | 7B | 69 BPM | ||
| Concertino da camera: IIa. Larghetto | Jacques Ibert, Asya Fateyeva, Brandenburger Symphoniker, Michael Helmrath | F Major | 3 | 7B | 121 BPM | ||
| Lads of Wamphray March | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Come Sunday: I. Testimony (Live) | Omar Thomas, Baylor University Wind Ensemble, Eric Wilson | B♭ Major | 0 | 6B | 128 BPM | ||
| Tuba Suite: I. Allegro maestoso | Don Haddad, David Zerkel, Paolo Andre Gualdi | D Major | 1 | 10B | 144 BPM | ||
| Fanfare pour précéder la péri | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 2 | 8B | 125 BPM | ||
| タンゴの歴史 ボーデル1900 | Nobuya Sugawa | G Major | 3 | 9B | 88 BPM | ||
| Variations Sur "Le Carnaval de Venise" | Jean-Baptiste Arban, Wynton Marsalis, Donald Hunsberger, Eastman Wind Ensemble | E♭ Major | 2 | 5B | 108 BPM | ||
| Trombone Concerto: I. Moderato assai ma molto maestoso (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | ||
| I. On the top of Cape Finisterre | Ricardo Mollá, Esteban Batallán, Ricardo Mollá Albero, Alberto Urretxo, Bilbao Symphony Orchestra | B♭ Major | 2 | 6B | 114 BPM | ||
| 3 Preludes: I. Allegro ben ritmato e deciso | George Gershwin, Jon Nakamatsu | C Minor | 2 | 5A | 98 BPM | ||
| Sonatine pour basson et piano: III. Scherzo presto | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 3 | 8A | 149 BPM | ||
| Fantasia for Alto Saxophone | Claude T. Smith, James Barger, West Texas A&M University Symphonic Band, Donald Lefevre | F Minor | 1 | 4A | 139 BPM | ||
| Sinfonia nobilissima | Robert Jager, Japan Air Self-Defense Force Western Air Band, Hiroyuki Kayo | D Minor | 2 | 7A | 153 BPM | ||
| Colors: IV. Green | Bert Appermont, Columbus State University Wind Ensemble, Joseph Alessi, Robert W. Rumbelow | C Major | 3 | 8B | 76 BPM | ||
| Poulenc: Flute Sonata, FP 164: III. Presto giocoso | Emmanuel Pahud, Eric Le Sage | G Major | 1 | 9B | 94 BPM | ||
| Hindemith: Trumpet Sonata: I. Mit Kraft | Paul Hindemith, Alison Balsom | D Major | 1 | 10B | 119 BPM | ||
| El Camino Real | Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra | D Minor | 3 | 7A | 79 BPM | ||
| Canzonetta in E-Flat Major, Op. 19 | Gabriel Pierné, Ludmila Peterková, Irina Kondratenko | E♭ Major | 1 | 5B | 69 BPM | ||
| Nocturno, Op. 7 | Franz Strauss, Xiao-Ming Han, Rainer Müller-van Recum, Marc Engelhardt, Dora Bratchkova, Peter Schmalfuss | B♭ Major | 1 | 6B | 112 BPM |