On February 14, 2025, the song "Conversations No. 3" was released by Béla Bartók, Dao Pham. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 35 in the song's album "RCM Level 1 Piano Repertoire". In this album, this song's track order is #33. Based on our statistics, Conversations No. 3's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Conversations No. 3 by Béla Bartók, Dao Pham having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Langsamer Satz (Arr. G. Schwarz for string orchestra) | Anton Webern, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 3 | 7B | 143 BPM | ||
| Romanian Folk Dances (arr. for Violin & Piano): I. Allegro moderato | Béla Bartók, Ensemble Villa Musica | A Minor | 0 | 8A | 80 BPM | ||
| Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio | Arnold Schoenberg, Mario Venzago, Deutsche Kammerphilharmonie Bremen | G Major | 1 | 9B | 101 BPM | ||
| Nocturne 'Homage to John Field', Op. 33 | Samuel Barber, Ruth Slenczynska | A♭ Major | 1 | 4B | 65 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Das Rheingold (Arr. Solo Piano by Greef): Entrance into Valhalla - Welte-Mignon 1181 | Richard Wagner, Peter Phillips, Arthur De Greef | B Major | 1 | 1B | 68 BPM | ||
| Cello Sonata No. 1 in E Minor, Op. 38: I. Allegro non troppo | Johannes Brahms, Maria Kliegel, Kristin Merscher | F Major | 1 | 7B | 67 BPM | ||
| Glinka / Arr Balakirev : The Lark | Mikhail Glinka, Izumi Tateno | B♭ Minor | 1 | 3A | 65 BPM | ||
| Soirées Musicales, Op. 6: II. Nocturne | Clara Schumann, Mara Dobresco | A Major | 1 | 11B | 172 BPM | ||
| Prélude, Fugue et Variation, Op. 18: III. Allegretto ma non troppo (Arr. pour piano) | César Franck, Nikolai Lugansky | D Major | 0 | 10B | 81 BPM | ||
| Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: IV. Finale con brio | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| Diagram and Projection: IV. Palette | Alessio Santolini Raggi | A Major | 0 | 11B | 69 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Takács Quartet, Garrick Ohlsson | D♭ Major | 0 | 3B | 79 BPM | ||
| Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Piano Trio No. 2, Op. 67: 4. Allegretto - Adagio | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | F♯ Minor | 0 | 11A | 84 BPM | ||
| Piano Quintet, BB 33: Vivace - Scherzando | Béla Bartók, Kodály Quartet, Jenő Jandó | G Minor | 3 | 6A | 121 BPM | ||
| Tales of an Old Grandmother, Op. 31: No. 1, Moderato | Sergei Prokofiev, Florian Noack | A Minor | 0 | 8A | 99 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major: I. L'Aurore | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| Bach / Busoni: Toccatas and Fugues, BV B29: No. 2, Toccata and Fugue in D Minor: Fugue (After Bach's BWV 565) | Ferruccio Busoni, Johann Sebastian Bach, Maria Tipo | F♯ Major | 0 | 2B | 85 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Nuages gris "Trübe Wolken", S. 199 | Franz Liszt, Krystian Zimerman | D Minor | 0 | 7A | 68 BPM | ||
| Les soirs illuminés par l'ardeur du charbon, L.150 (Arr. by Colin Matthews) | Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder | D♭ Major | 0 | 3B | 79 BPM |