Rein de Graaff Trio's ' "Red Top" was released on its scheduled release date, 1992. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Tenor Conclave". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. The popularity of Red Top is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Red Top by Rein de Graaff Trio having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dropout | The Uris Quartet | A♭ Major | 2 | 4B | 114 BPM | ||
| Elegance in Blue | Layla | F Major | 4 | 7B | 69 BPM | ||
| She Laughed at Everything | Moss & Marrow | F Minor | 1 | 4A | 107 BPM | ||
| Lover Come Back To Me - Short Cut - theme | Arkadia Short Cuts, Billy Taylor | A♭ Major | 3 | 4B | 133 BPM | ||
| Lighthouse | raLoki | C Minor | 0 | 5A | 133 BPM | ||
| Tribute - Live | Slide Hampton, Joe Haider Orchestra | A♭ Major | 2 | 4B | 77 BPM | ||
| Summer Nights | one sound | F Minor | 4 | 4A | 144 BPM | ||
| Last Call in Sepia | Velvet Corners Quartet | C Minor | 0 | 5A | 133 BPM | ||
| Rise of the Sovereign | Orión Natera | E Major | 3 | 12B | 130 BPM | ||
| Half-Remembered Lullabies | Sherbourne Rivers | F Minor | 4 | 4A | 114 BPM | ||
| Open Ocean | Frode Kjekstad, Eric Alexander, Roy Powell, Frederik Villmow | C Minor | 0 | 5A | 133 BPM | ||
| Moonlight Mambo Swing | diana cole | G Major | 3 | 9B | 184 BPM | ||
| Choro Blanco | Seamus Blake, Chris Cheek | C Major | 4 | 8B | 128 BPM | ||
| Rouge Reflections | Maison de Jazz | D Minor | 5 | 7A | 157 BPM | ||
| The Count | Brad Hatfield | D Minor | 3 | 7A | 98 BPM | ||
| ロピン (ライヴ) | Sadao Watanabe | F Minor | 4 | 4A | 85 BPM | ||
| Notes in Geometry | Silas Moonray | C Minor | 0 | 5A | 133 BPM | ||
| Will There Ever Be | Geoff Gascoyne, Dave O'Higgins, Sebastiaan De Krom, Graham Harvey | A♭ Major | 3 | 4B | 89 BPM | ||
| Perdido - Wahoo | Rein de Graaff Trio | G Minor | 5 | 6A | 160 BPM | ||
| Whispered Chords | Julian Lowlight | C Minor | 0 | 5A | 133 BPM | ||
| Me Llamaba Txori | Gorka Benítez, Moisés P. Sánchez, Jeff Ballard, Michael Formanek | E♭ Major | 3 | 5B | 109 BPM | ||
| Hushed Jazz Tales | Jazz Cafè | B♭ Minor | 5 | 3A | 157 BPM | ||
| Exalt | Niko de Oro | D♭ Major | 9 | 3B | 136 BPM | ||
| Cloudborne Jazz | Arthur Glasswing | C Minor | 0 | 5A | 133 BPM | ||
| Vantoro | Timeless Sepia Melodies | C Major | 0 | 8B | 121 BPM |