"Suite No. 1 (Version for Violin & Guitar): III. Romantico" by Raffaele Bellafronte, Davide Di Ienno, Luca Marziali had its release date on November 5, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Raffaele Bellafronte: Guitar Works 2021". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Italy. Suite No. 1 (Version for Violin & Guitar): III. Romantico is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 1 (Version for Violin & Guitar): III. Romantico by Raffaele Bellafronte, Davide Di Ienno, Luca Marziali having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite No.1 in D Minor: IV. Tango | Raffaele Bellafronte, David e Mia | D Minor | 2 | 7A | 149 BPM | ||
| Duet for 2 Flutes in E Minor, F. 54: III. Vivace | Wilhelm Friedemann Bach, Patrick Gallois, Kazunori Seo | A Major | 1 | 11B | 141 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Fugue No. 1 in G Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | G Minor | 1 | 6A | 139 BPM | ||
| Tansman: Inventions: V. Aria. Lento cantabile | Alexandre Tansman, Thibaut García | G Minor | 0 | 6A | 128 BPM | ||
| Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | ||
| 6 Organ Concertos, Op. 7: No. 7, V. Larguetto (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | D Major | 2 | 10B | 71 BPM | ||
| ハンガリー狂詩曲 | David Popper, ヤーノシュ・シュタルケル, Shigeo Neriki | E Minor | 3 | 9A | 115 BPM | ||
| String Quartet No. 4, 3rd Movement | Béla Bartók, vision string quartet | D Major | 2 | 10B | 71 BPM | ||
| String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | D Major | 2 | 10B | 71 BPM | ||
| Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. D'Indy for Cello and Orchestra: II. Allegro | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 4 | 7B | 115 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| 12 Preludes: II. Preludio II | Raffaele Bellafronte, Alessandro Deljavan | G Major | 4 | 9B | 161 BPM | ||
| Lusinghevole Passeggio | Bellerofonte Castaldi, Albane Imbs | F♯ Major | 2 | 2B | 111 BPM | ||
| En los Trigales | Joaquín Rodrigo, Thibault Cauvin | E♭ Major | 1 | 5B | 105 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: IV. Vivo | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | E Minor | 1 | 9A | 109 BPM | ||
| Die schöne Müllerin, Op. 25, D. 795: No. 19, The Miller and the Brook - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | F Minor | 0 | 4A | 93 BPM | ||
| Hungarian Rhapsody No. 8 | Bryant Paskewitz, Yaroslav Medvedev-Taraldset | G Minor | 4 | 6A | 166 BPM | ||
| Serenata morisca | Agustín Barrios Mangoré, Celil Refik Kaya | D Minor | 1 | 7A | 89 BPM | ||
| Quatre Bagatelles en forme de Suite Cosmique: I. Le depart | Marco Smaili, Gerard Cousins | D Major | 2 | 10B | 71 BPM | ||
| Lute Suite No. 3 in A Minor, BWV 995: V. Gavottes 1 & 2 (Arr. for Guitar) | Robert Secrist | A Minor | 1 | 8A | 129 BPM | ||
| Song of the Birds | Pablo Casals, Boris Andrianov | A Minor | 0 | 8A | 78 BPM | ||
| Las 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Strings): No. 3, Primavera Porteño [Spring] | Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero | G Minor | 1 | 6A | 138 BPM | ||
| From Jewish Folk Poetry, Op. 79: X. The Young Girl's Song (Arr. for Cello and String Orchestra) | Dmitri Shostakovich, Sol Gabetta, Amsterdam Sinfonietta, Candida Thompson | G Minor | 1 | 6A | 156 BPM | ||
| Pièces de clavecin, Suite in E, RCT 2: La Villageoise. Rondeau | Jean-Philippe Rameau, Constance Luzzati | G Minor | 1 | 6A | 82 BPM |