Handel: Messiah, HWV 56, Pt. 3, Scene 3: Aria. "If God Be for Us" by George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Ailish Tynan, Academy of Ancient Music Song Details

"Handel: Messiah, HWV 56, Pt. 3, Scene 3: Aria. "If God Be for Us"" by George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Ailish Tynan, Academy of Ancient Music had its release date on April 10, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge's "Handel: Messiah" album is number 29 out of 53. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Handel: Messiah, HWV 56, Pt. 3, Scene 3: Aria. "If God Be for Us" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Handel: Messiah, HWV 56, Pt. 3, Scene 3: Aria. "If God Be for Us" by George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Ailish Tynan, Academy of Ancient Music to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.

Music Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 14%
Loudness: -23.547 dB
Acousticness: 88%
Danceability: 32%
Energy: 9%
Instrumentalness: 0%
Liveness: 21%
Loudness: 61%
Speechiness: 5%
Valence: 12%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto	Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel	E♭ Major	1	5B	116 BPM
Miserere, ZWV 57: III. Gloria Patri I	Jan Dismas Zelenka, Accademia Barocca Lucernensis, Gunhild Alsvik, Javier Ulises Illán	A Major	1	11B	69 BPM
Ouverture No. 6 in G Minor: II. Largo	Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini	B Minor	1	10A	76 BPM
Oboe Concerto in E Minor, TWV 51:e1: I. Andante	Georg Philipp Telemann, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková	E Minor	2	9A	74 BPM
Monteverdi: L'Orfeo, SV 318: Toccata	Alessandro Striggio, Claudio Monteverdi, Christina Pluhar	D Major	2	10B	146 BPM
Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti)	Charles Avison, Avison Ensemble, Pavlo Beznosiuk	F Major	1	7B	74 BPM
Sinfonia No. 6 in G Minor, Op. 5: I. Allegro	Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte	B Major	3	1B	151 BPM
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth"	Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood	F♯ Minor	0	11A	83 BPM
String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento	Antonín Dvořák, Hagen Quartett	D Minor	1	7A	88 BPM
Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante	Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman	B Minor	1	10A	105 BPM
Concerto in D minor, S. Z799: 1. Andante e spiccato	Alessandro Marcello, Håkan Hardenberger, I Musici	D Minor	2	7A	78 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo	Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra	F Major	0	7B	133 BPM
Concerto in C Minor: III. Siciliana	Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra	A Minor	1	8A	77 BPM
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato	Alessandro Marcello, Marcel Ponseele, Il Gardellino	D Minor	2	7A	122 BPM
Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts	Cologne Chamber Orchestra, Georg Philipp Telemann	G Minor	1	6A	82 BPM
Trio Sonata in G Minor, Op. 2 No. 8, HWV 393: III. Largo	George Frideric Handel, London Baroque	A Major	0	11B	77 BPM
Le Messie, symphony: Grave Allegro Moderato	George Frideric Handel, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Jean Nirouet, Alexander Stevenson, Philip Langshaw	D Major	3	10B	107 BPM
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro	Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek	C Minor	1	5A	180 BPM
Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)	Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
Kol Nidrei, Op. 47	Max Bruch, Jan Vogler, Helmut Branny	D Major	1	10B	136 BPM
Stabat Mater, P. 77: II. Soprano. Cuius animam gementem	Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood	G Major	1	9B	79 BPM
Clarinet Concerto in B-Flat Major: Andante sostenuto	Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs	B♭ Minor	0	3A	69 BPM
Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia	Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz	F Minor	1	4A	143 BPM
Solomon, HWV 67: The Arrival Of The Queen Of Sheba	George Frideric Handel, Robert Haydon Clark, Consort of London	B♭ Major	3	6B	120 BPM