George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp's 'Robin Hood, Act I: Introduction. Clang! Clang! It Is a merry (Chorus)' had a release date set for October 4, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Macfarren, Ronald Corp, Victorian Opera Orchestra's "Macfarren: Robin Hood" album is number 2 out of 33. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Robin Hood, Act I: Introduction. Clang! Clang! It Is a merry (Chorus)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Robin Hood, Act I: Introduction. Clang! Clang! It Is a merry (Chorus) by George Macfarren, Nicky Spence, George Hulbert, Louis Hurst, Andrew Mackenzie-Wicks, John Molloy, Alex Knox, Kay Jordan, Magdalen Ashman, John Powell Singers, Victorian Opera Chorus, Victorian Opera Orchestra, Ronald Corp to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holy Spirit Mass: Peace. Intro | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Major | 0 | 7B | 102 BPM | ||
| Exsultet | John Repulski, Karl Blume, John Strege | G Minor | 1 | 6A | 76 BPM | ||
| I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | ||
| O Lord, Rebuke Me Not, Z. 40 | Henry Purcell, Gloriae Dei Cantores, Elizabeth C. Patterson | D Major | 1 | 10B | 131 BPM | ||
| Psalm 6 "O Lord, Rebuke Me Not in Thine Indignation" | Edward Francis Rimbault, George Macfarren, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | B Major | 1 | 1B | 131 BPM | ||
| Nunc Dimittis in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 0 | 6B | 135 BPM | ||
| Blessed Is He Whose Unrighteousness Is Forgiven (Psalm 32) | John Jones, Gloriae Dei Cantores, Elizabeth C. Patterson | A♭ Major | 1 | 4B | 106 BPM | ||
| Missa brevis, Op. 43: Kyrie | Lars-Erik Larsson, Kammarkoren, Eric Ericson | D♭ Minor | 1 | 12A | 140 BPM | ||
| Nox Arumque | Eric Whitacre, Adrian Kirtley, 2024 Chamber, Timber Creek HS Chamber | B Major | 1 | 1B | 77 BPM | ||
| Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | ||
| Like as the Hart Desireth the Water Brooks, So Longeth My Soul After Thee, O God (Psalm 42) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 126 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| A Little Childe There Is Ibore | Jane M. Joseph, Blossom Street, Anna Lapwood, Hilary Campbell | C Minor | 1 | 5A | 71 BPM | ||
| Église du Seigneur | Chœur Éphata, Rogatien Despaigne | E Minor | 1 | 9A | 85 BPM | ||
| In illo tempore cum sublevasset | Francisco Guerrero, A5 Vocal Ensemble | A Minor | 1 | 8A | 80 BPM | ||
| Svete Tihiy | Stellenbosch University Choir | E Major | 2 | 12B | 77 BPM | ||
| My God, How Endless | Lyle Stutzman, Tapestry Chamber Singers | A Minor | 2 | 8A | 95 BPM | ||
| Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | ||
| Abide with me | William Henry Monk, Choir of St John's, Elora, Paul Halley | E♭ Major | 1 | 5B | 157 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Jonathan Vaughn, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Matthew Owens | C Major | 3 | 8B | 104 BPM | ||
| Mass for 5 Voices, T. 3: IVc. Benedictus | William Byrd, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 134 BPM | ||
| Jesus Christ is Risen Today | Basilica of the National Shrine of the Immaculate Conception Choir | F Major | 2 | 7B | 74 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| Cherubic Hymn & That We May Receive | Roman Hurko | C Minor | 1 | 5A | 89 BPM |