Satinath Mukherjee, Utpala Sen's 'E Bejay Bhari Sahar' had a release date set for December 1, 1965. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Anal Chatterjee's "Mayabini Lane (Original Motion Picture Soundtrack)" album is number 1 out of 4. On top of that, India appears to be the country where this track was created. E Bejay Bhari Sahar is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of E Bejay Bhari Sahar by Satinath Mukherjee, Utpala Sen to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hasimukhe Basi Phul With Narration | Firoza Begum, Satinath Mukherjee | E♭ Major | 5 | 5B | 137 BPM | ||
| Tomader Ashirbade | Mohd. Rafi | A♭ Major | 7 | 4B | 142 BPM | ||
| Basbo Bhalo Rakhbo Bhore | Sapan Chakraborty, Kavita Krishnamurthy, Shakti Thakur, Haimanti Sukla | F Minor | 3 | 4A | 116 BPM | ||
| Ekhoni Biday Bolo Na | Mohd. Rafi | F♯ Minor | 5 | 11A | 138 BPM | ||
| E Nadi Emon Nadi | Manna Dey | E♭ Major | 3 | 5B | 114 BPM | ||
| Bhange Mor Ghorer Chabi | Namita Raychaudhury, Satinath Mukherjee | E Major | 6 | 12B | 77 BPM | ||
| Akash Paare Taray Taray - Nirmala Misra | Nirmala Mishra, Anal Chatterjee | F Major | 4 | 7B | 112 BPM | ||
| Mayuri Nache Aajike | Satinath Mukherjee | E Minor | 4 | 9A | 116 BPM | ||
| Dazan Khanek Pola | Gostho Gopal Das | E Major | 6 | 12B | 104 BPM | ||
| Ki Bole Daki Tore Ma | Dhananjay Bhattacharya | F Major | 3 | 7B | 79 BPM | ||
| Swapno Amar Hariye Gechhe | R. D. Burman | G Major | 5 | 9B | 130 BPM | ||
| Keu Janlona | Asif | E Minor | 5 | 9A | 114 BPM | ||
| Sei To Basanta Phire Elo | Debabrata Biswas, Aditi Sengupta | A♭ Major | 2 | 4B | 95 BPM | ||
| Pratham Pradip Jwalo - With Narration | Manabendra Mukherjee, Satinath Mukherjee | D♭ Major | 4 | 3B | 68 BPM | ||
| Rone Bone Jangale | Rima Das Gupta | E Minor | 3 | 9A | 141 BPM | ||
| O Ma Jasode Go | Amar Pal | D♭ Major | 3 | 3B | 133 BPM | ||
| Khela Shesh Holo Shesh Hoy Nai Bela - With Narration | Firoza Begum, Satinath Mukherjee | D Major | 3 | 10B | 93 BPM | ||
| Ke Tomay Koreche | Kumar Sanu | B♭ Minor | 4 | 3A | 90 BPM | ||
| Biddaloy Moder | Syed Abdul Hadi, Runa Laila | A♭ Major | 5 | 4B | 135 BPM | ||
| Antare Maa Thakna | Anuradha Paudwal, Indrajeet | F Minor | 4 | 4A | 152 BPM | ||
| Phele Asha Smriti Amar - Male Version | R. D. Burman, Amit Kumar | E♭ Major | 4 | 5B | 93 BPM | ||
| Jibone Aamar Godhuli Neme Ase | Satinath Mukherjee | F♯ Major | 5 | 2B | 144 BPM | ||
| Tumi Chale Gele | Hemant Kumar | E Major | 2 | 12B | 176 BPM | ||
| Emni Korei Jay Jodi Din Jak Na | Indrani Sen | F Major | 3 | 7B | 131 BPM | ||
| Aaj Shrabaner | Malabika Mukherjee, Satinath Mukherjee | B♭ Major | 4 | 6B | 135 BPM |