Jule Styne, Ethel Merman, Milton Rosenstock's ' "Gypsy: Everything's Coming Up Roses" was released on its scheduled release date, 1959. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jule Styne, Original Broadway Cast of Gypsy's "Gypsy (Original Broadway Cast Recording)" album is number 12 out of 20. On top of that, United States appears to be the country where this track was created. Gypsy: Everything's Coming Up Roses is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gypsy: Everything's Coming Up Roses by Jule Styne, Ethel Merman, Milton Rosenstock to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brotherhood of Man | Robert Morse, Sammy Smith, Ruth Kobart, How to Succeed in Business Without Really Trying Ensemble | G Minor | 3 | 6A | 96 BPM | ||
| I Remember It Well | Maurice Chevalier | E♭ Major | 1 | 5B | 84 BPM | ||
| You Mustn't Be Discouraged - Fade In Fade Out/1964 Original Broadway Cast/Remastered | Betty Comden, Adolph Green, Jule Styne, Carol Burnett, Tiger Haynes | D♭ Major | 3 | 3B | 130 BPM | ||
| My Own Best Friend (from "Chicago") | John Kander, Chita Rivera, Gwen Verdon, Stanley Lebowsky | B♭ Minor | 4 | 3A | 86 BPM | ||
| Much More | Rita Gardner | E Minor | 2 | 9A | 132 BPM | ||
| Buddie Beware | Jessica Stone, 'Anything Goes' New Broadway Cast Ensemble | A♭ Major | 3 | 4B | 103 BPM | ||
| Hurry! It's Lovely Up Here | John Cullum, Barbara Harris | C Minor | 2 | 5A | 109 BPM | ||
| Try to Remember | Jerry Orbach | F Major | 2 | 7B | 125 BPM | ||
| Tap Your Troubles Away | Lottie, Company Of 'Mack & Mabel' | C Minor | 4 | 5A | 95 BPM | ||
| Many A New Day - From "Oklahoma!" Soundtrack | Shirley Jones, Darcy M. Proper | D Major | 1 | 10B | 121 BPM | ||
| Everything's Coming Up Roses | Imelda Staunton | A Major | 5 | 11B | 134 BPM | ||
| Bring Me My Bride | Zero Mostel, Ronald Holgate | F♯ Major | 3 | 2B | 108 BPM | ||
| Big Spender - 1969 Motion Picture Soundtrack | Cy Coleman, Dorothy Fields, Joseph Gershenson | B♭ Minor | 2 | 3A | 88 BPM | ||
| I Can't Do It Alone (from "Chicago") | John Kander, Chita Rivera, Stanley Lebowsky | B♭ Major | 6 | 6B | 78 BPM | ||
| Mame: Bosom Buddies | Jerry Herman, Angela Lansbury, Beatrice Arthur, Mame (Original Broadway Cast), Original Broadway Cast of Mame, Donald Pippin | F♯ Major | 3 | 2B | 110 BPM | ||
| Can’t Help Lovin’ Dat Man | Lonette McKee, Gretha Boston, Michel Bell | A♭ Major | 2 | 4B | 123 BPM | ||
| Handful of Keys | Nell Carter, André DeShields, Armelia McQueen, Ken Page, Charlaine Woodard | G Minor | 3 | 6A | 120 BPM | ||
| Mutual Admiration Society | Virginia Gibson, Ethel Merman | G Major | 4 | 9B | 113 BPM | ||
| Sunrise, Sunset | Zero Mostel, Maria Karnilova, Bert Convy, Julia Migenes | B♭ Minor | 2 | 3A | 122 BPM | ||
| Candide, Act I (Remastered): Oh, Happy We - 2017 Remastered Version | Leonard Bernstein, Robert Rounseville, Barbara Cook, Candide Orchestra, Samuel Krachmalnick | G Major | 2 | 9B | 130 BPM | ||
| The Trolley Song | Carol Burnett | G Minor | 6 | 6A | 141 BPM | ||
| It's Not Where You Start | Barbara Cook | B♭ Major | 5 | 6B | 78 BPM | ||
| Beautiful Girls | Bruce Graham, 2018 National Theatre Follies Ensemble | A Major | 2 | 11B | 131 BPM | ||
| Time after Time | Jule Styne, Plácido Domingo, Eugene Kohn, Harry Connick, Jr. | D♭ Major | 3 | 3B | 119 BPM | ||
| It's a Bird, It's a Plane, It's Superman: You've Got Possibilities | Charles Strouse, Linda Lavin, Harold Hastings | A♭ Major | 3 | 4B | 87 BPM |