Johann Adolf Hasse, Janos Sebestyen's ' "Keyboard Concerto No. 4 in D Major: III. Allegro" was released on its scheduled release date, July 15, 2014. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Adolf Hasse, Janos Sebestyen's "Hasse: 6 Keyboard Concertos" album is number 12 out of 19. On top of that, Hungary appears to be the country where this track was created. Keyboard Concerto No. 4 in D Major: III. Allegro is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Keyboard Concerto No. 4 in D Major: III. Allegro by Johann Adolf Hasse, Janos Sebestyen to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'Olimpiade: Consola il genitore - From "L'Olimpiade" | Johann Adolf Hasse, Simone Kermes | C Major | 0 | 8B | 87 BPM | ||
| Organ Concerto No. 5 in F, Op. 4 No. 5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | ||
| Handel: Antiphon in D Minor, HWV 269 "Alleluja, Amen" | George Frideric Handel, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 2 | 12B | 137 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Minor | 0 | 12A | 74 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Infirmata, vulnerata: IV. Cur, quaeso, crudelis | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Concerto grosso in D Major Op. 6, No. 4: I. Adagio – Allegro | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM | ||
| Mass in D Minor: Gloria. Gloria in excelsis | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | D♭ Major | 1 | 3B | 132 BPM | ||
| Bach, JS: Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 1, Aria. "Vergnügte Ruh beliebte Seelenlust" | Johann Sebastian Bach, Monica Groop, Juha Kangas, Ostrobothnian Chamber Orchestra | D Major | 1 | 10B | 75 BPM | ||
| Requiem in C Major: I. Requiem aeternam | Johann Adolf Hasse, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | B Minor | 4 | 10A | 80 BPM | ||
| Hasse: Serpentes ignei in deserto: Aria. "Furit grando procellosa" (Nathanael) | Johann Adolf Hasse, Thibault Noally, Les Accents, Jakub Józef Orliński | F♯ Minor | 2 | 11A | 135 BPM | ||
| Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B♭ Minor | 0 | 3A | 82 BPM | ||
| Missa Divi Xaverii, ZWV 12: Kyrie eleison II | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A♭ Minor | 0 | 1A | 73 BPM | ||
| Markuspassion: I. Jesus Christus ist um unser Missetat willen | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM | ||
| La Susanna: Voi donzelle | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 1 | 10B | 111 BPM | ||
| Concerto a Viola da Gamba Concertata in G Major (Arr. Thomas Fritzsch and Günter von Zadow after the Violoncello Concerto in B Flat-Major, WKO 52 and the Flute Concerto in C Major, WKO 51): I. Moderato | Carl Friedrich Abel, La Rêveuse, Florence Bolton, Benjamin Perrot | F♯ Major | 2 | 2B | 126 BPM | ||
| Ouverture-Suite in B Minor, TWV 55:h4: VI. Menuet I - VII. Menuet II | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 1 | 3B | 76 BPM | ||
| Handel: Mi palpita il cor, HWV 132c: VI. Aria. "Se un dì m’adora la mia crudele" | George Frideric Handel, Philippe Jaroussky, Artaserse | F♯ Major | 3 | 2B | 124 BPM | ||
| Lass Fürstin, lass noch ein Strahl, BWV 198: Verstummt, ihr holden Saiten (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | D♭ Minor | 0 | 12A | 62 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 2 | 11B | 82 BPM | ||
| Magnificat en sol mineur, RV 610: II. Et exultavit | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Damien Guillon, La Capella Reial De Catalunya, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM |