Ravindra Jain's 'Baitha Shastrgar Mein Indrajeet' had a release date set for January 1, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Ravindra Jain's "Lanka Kaand" album is number 29 out of 94. On top of that, India appears to be the country where this track was created. Baitha Shastrgar Mein Indrajeet is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Baitha Shastrgar Mein Indrajeet by Ravindra Jain to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Pardesi Hoon Pahli Baar Aaya Hoon | Madhushmita, Parthiv Goel | A♭ Major | 7 | 4B | 86 BPM | ||
| He Ram Tum Bade Dayalu Ho | Anil Hanslas | G Minor | 6 | 6A | 78 BPM | ||
| Tere Prabhu Jante Hain | Mahendra Kapoor, Kalyanji-Anandji | A♭ Major | 5 | 4B | 124 BPM | ||
| Badi Der Bhai Nandlala, Pt. 2 | Mohammed Rafi | F Major | 6 | 7B | 132 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Hanuman Tumhare Charno Mein | Devendra Pathak | F♯ Major | 9 | 2B | 75 BPM | ||
| Mera Koi Na Sahara Bin Tere Ghanshyam | Puran Shiva | D Major | 6 | 10B | 80 BPM | ||
| Koi Lakh Kare Chaturai | Pradeep Kumar | G Major | 2 | 9B | 153 BPM | ||
| Main Hu Sharan Mein Teri | Ram Kumar Lakha | B Minor | 5 | 10A | 132 BPM | ||
| Maa Sun Le Pukaar | Babla Mehta | G Minor | 6 | 6A | 173 BPM | ||
| Karo Hari Darshan - With Dialogue | Mahendra Kapoor, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM | ||
| Ram Katha Sankshipt Bharat Seo Kapi Keh Daari (From "Lanka Kaand") | Arun Dangle, Ravindra Jain | A Minor | 6 | 8A | 95 BPM | ||
| Radhika Gori Se Biraj Ki Chhori Se | Anuja Sinha | E♭ Major | 6 | 5B | 154 BPM | ||
| Tum Besahara Ho - Sad | Manna Dey, Laxmikant–Pyarelal | D Major | 9 | 10B | 123 BPM | ||
| Ram Dhun | Shankar Mahadevan | F♯ Major | 4 | 2B | 95 BPM | ||
| Chanana Channan Pag Ghungru Bole | Hemlata, Satish Dehra, Ravindra Jain | A Minor | 6 | 8A | 95 BPM | ||
| Main To Arti Utaroon Re | Usha Mangeshkar | D Minor | 4 | 7A | 155 BPM | ||
| Radhey Radhey Ki Jap Le Tu Mala | Vandana Bhardwaj | D♭ Minor | 7 | 12A | 98 BPM | ||
| Jagadamba Ghar | Sharda Sinha | F Minor | 6 | 4A | 103 BPM | ||
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Bhagwat Bhagwan Ki Aarti (Kantikartik Yadav) | OP Dewangan | G Major | 9 | 9B | 74 BPM | ||
| Geeta Gyan 14 - Gyani Vichlit Hote Nahin Koi Jag Mein Rahe Ya Jag Se Jaye | Ravindra Jain | C Minor | 3 | 5A | 125 BPM | ||
| Nagari Ho Ayodhya Si | Roshani Pandey | D♭ Minor | 8 | 12A | 93 BPM | ||
| Prem Ab Anant Ho Gaya | Prem Bhushan Maharaj | D Major | 5 | 10B | 131 BPM | ||
| Govind Mero Hai Gopal Mero Hai | Rakesh Kala | E Major | 8 | 12B | 151 BPM |