"Les contes d'Hoffmann, Acte IV: Barcarolle" by Jacques Offenbach, Jacques Burtin, Barbara Marcinkowska had its release date on 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Dirk Brossé, Brussels Philharmonic, Charlie Grey and Joseph Peach, Jacques Burtin, Barbara Marcinkowska's "Méditation kora & violoncelle" album is number 5 out of 19. On top of that, France appears to be the country where this track was created. In terms of popularity, Les contes d'Hoffmann, Acte IV: Barcarolle is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les contes d'Hoffmann, Acte IV: Barcarolle by Jacques Offenbach, Jacques Burtin, Barbara Marcinkowska to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Offenbach: Les Brigands, Act 1: No. 5, Rondo, "Après avoir pris à droite" (Fiorella) | Jacques Offenbach, John Eliot Gardiner - Colette Alliot Lugaz - Choeurs De L'Opéra National De Lyon - Thierry Dran - François Le Roux - Orch Nat Opéra De Lyon - Tibere Raffalli - Michel Trempont, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| Solveig's song | Edvard Grieg, Anna Netrebko | A Minor | 1 | 8A | 173 BPM | ||
| Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
| Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM | ||
| Masquerade, Ballet Music - Suite from the Music to the "Drama of Lermontov": I. Waltz | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Symphony Orchestra | C Major | 5 | 8B | 97 BPM | ||
| Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 6, Waltz | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Symphoniker | G Major | 2 | 9B | 131 BPM | ||
| The Bat, Overture (Die Fledermaus) | Ljubljana Symphony Orchestra, Anton Nanut | D Major | 2 | 10B | 85 BPM | ||
| La Cinquantaine | Jean Gabriel-Marie, Philharmonica Orchestra, Sir Charles Groves | A Minor | 1 | 8A | 80 BPM | ||
| Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
| Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
| Nocturne in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Alessandro Deljavan | B♭ Major | 0 | 6B | 66 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| The Well-Tempered Clavier I, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude | Johann Sebastian Bach, Lang Lang | C Major | 1 | 8B | 134 BPM | ||
| Swan Lake, Op. 20: No. 2 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A Major | 1 | 11B | 96 BPM | ||
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
| Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
| Radetzky-Marsch, Op. 228 | Johann Strauss I, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 107 BPM | ||
| String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
| Walzer (a la Paganini), Op. 11 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 164 BPM | ||
| Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 5 | 12B | 85 BPM | ||
| The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
| L'Arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 10 | 4B | 136 BPM | ||
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, BBC Concert Orchestra, Barry Wordsworth | D Major | 1 | 10B | 96 BPM | ||
| Walkürenritt (Ride of the Valkyries) | Richard Wagner, Gustav Kuhn, Orchester der Tiroler Festspiele | G Major | 4 | 9B | 91 BPM |