"Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle)" by Jacques Offenbach, BBC Concert Orchestra, Barry Wordsworth had its release date on November 4, 1997. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vissi d'Arte - Opera for Orchestra by BBC Concert Orchestra, Barry Wordsworth. The song's track number on the album is #10 out of 17 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) by Jacques Offenbach, BBC Concert Orchestra, Barry Wordsworth has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amour et printemps: Amor et Primtemps, Waltz | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | G Major | 1 | 9B | 106 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| The Dancing Years: Waltz Of My Heart | Ivor Novello, Orchestra, James Shearman | E♭ Major | 1 | 5B | 76 BPM | ||
| Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Elevazione for Solo Oboe, Solo Cello, Strings and Organ (Arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Craig Ogden, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
| Offenbach & Rosenthal: Gaîté parisienne: XX. Can-can, scène 4 | Jacques Offenbach, Manuel Rosenthal, Orchestre de l'Opéra de Monte-Carlo | C Minor | 1 | 5A | 75 BPM | ||
| Dorfschwalben aus Österreich, Walzer, Op. 164 | Josef Strauss, Zubin Mehta, Wiener Philharmoniker | E♭ Major | 1 | 5B | 92 BPM | ||
| Culinary Harmony | Estoria | E Minor | 1 | 9A | 88 BPM | ||
| Rosen aus dem Süden, Op. 388 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | F Major | 1 | 7B | 102 BPM | ||
| Adagio in G Minor (Attrib. Albinoni) | Remo Giazotto, Kolner Kammerorchester, Helmut Müller-Brühl | C Minor | 0 | 5A | 133 BPM | ||
| Four Scottish Dances, Op. 59: III. Allegretto | Malcolm Arnold, Bryden Thomson, Philharmonic Orchestra | F Major | 1 | 7B | 84 BPM | ||
| Reception Waltzer | Mario Malagnini | E Major | 6 | 12B | 130 BPM | ||
| Rachmaninoff: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, San Francisco Symphony, Michael Tilson Thomas | A Minor | 1 | 8A | 76 BPM | ||
| Unchained - Unchained Melody | Alex North, Hollywood Bowl Orchestra, John Mauceri | A Major | 0 | 11B | 86 BPM | ||
| Laughter Echoes | Halariaa | G Minor | 6 | 6A | 106 BPM | ||
| La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
| Intermezzo de cavalleria rusticana - Remasterizado | Luis Cobos | F Major | 1 | 7B | 83 BPM | ||
| Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
| Marienwalzer, Op. 212 | Johann Strauss I, Riccardo Muti, Wiener Philharmoniker | E Major | 1 | 12B | 179 BPM | ||
| Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 66 BPM | ||
| Under Milk Wood Overture: I. Under Milk Wood (Main Theme) | George Martin, Berlin Music Ensemble, Craig Leon | E Major | 1 | 12B | 87 BPM | ||
| London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM |