藤原義江's ' "オーヴァー・ゼア" was released on its scheduled release date, October 14, 2009. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ノイズレスSPアーカイヴズ 乾杯の歌/藤原義江〈洋楽編〉, so we believe that "オーヴァー・ゼア" is a single. オーヴァー・ゼア is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of オーヴァー・ゼア by 藤原義江 is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Gypsy Princess (Die Csárdásfürstin): "Ganz ohne Weiber geht die Chose nicht" | Emmerich Kálmán, Willy Hofmann, Renate Holm, Grosses Operetten Orchester, Franz Marszalek | C Major | 5 | 8B | 115 BPM | ||
| Mandoline, L. 29 | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| La sedia a dondolo | Dea Garbaccio | B♭ Major | 4 | 6B | 135 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| La diva de l'Empire | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| La Rosa del Azafrán: "Moniquito, Carmelo y secundarios" | Coros Cantores De Madrid, Gerardo Monreal | F Major | 4 | 7B | 126 BPM | ||
| Ya Vas Lyubil | Dmitri Hvorostovsky | G Major | 1 | 9B | 85 BPM | ||
| 出船の港 | 藤原義江 | C Minor | 2 | 5A | 123 BPM | ||
| シューベルトの子守唄 | 藤原義江 | E Major | 1 | 12B | 164 BPM | ||
| 荒城の月(フォックストロット) | 藤原義江 | C Minor | 2 | 5A | 71 BPM | ||
| Bajo los Puentes de París | Nati Mistral | C Major | 3 | 8B | 70 BPM | ||
| Gounod: Faust, Act 2: Valse. "Ainsi que la brise légère" (Chœur, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Martine Mahé, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Violino tzigano | Leo Nucci, Salotto Ottocento Ensemble | C Major | 2 | 8B | 47 BPM | ||
| The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
| Bellini: I puritani: "A festa!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Iolanthe: Loudly let the trumpet bray | Arthur Sullivan, The D'Oyly Carte Opera Chorus, The Band Of The Grenadier Guards, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 4 | 5B | 125 BPM | ||
| The Mikado / Act 2: 27. A more humane Mikado never did in Japan exist | Arthur Sullivan, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | A Major | 3 | 11B | 98 BPM | ||
| Trial by Jury: When First My Old, Old Love I Knew | Gilbert & Sullivan Society of Houston | D Major | 2 | 10B | 77 BPM | ||
| Siempre Que Te Ahogue una Pena / Tantos Desprecios Me Das - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 87 BPM | ||
| H.M.S. Pinafore / Act 2: Fair moon to thee I sing | Arthur Sullivan, The D'Oyly Carte Opera Company, Jeffrey Skitch, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 1 | 11B | 102 BPM | ||
| 明日は明日の風が吹く | Yujiro Ishihara | B Minor | 1 | 10A | 97 BPM | ||
| Parlame Di Amore Mariu | Los Violines de Pego | C Major | 2 | 8B | 66 BPM | ||
| H.M.S.Pinafore: Never mind the why and wherefore | Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | B Major | 3 | 1B | 137 BPM | ||
| La colomba | Luciano Taioli | G Major | 1 | 9B | 120 BPM | ||
| E' troppo tardi | Nilla Pizzi | G Minor | 2 | 6A | 84 BPM |