"I was made for this mission" by 高橋哲也 had its release date on January 7, 2015. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 34 in APPLESEED ALPHA ORIGINAL SOUNDTRACK by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. I was made for this mission is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I was made for this mission by 高橋哲也 is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Impromptu Strike | Avery Alexander | D♭ Minor | 3 | 12A | 85 BPM | ||
| Redaction | Scott Buckley | G Minor | 4 | 6A | 130 BPM | ||
| Florist | Madina Janiyaz, Aleeya | F Minor | 4 | 4A | 100 BPM | ||
| Sombra | Cerion | F Minor | 5 | 4A | 148 BPM | ||
| Echoes in Circuitry | Nebula Echoes | C Major | 4 | 8B | 105 BPM | ||
| Fantasy | Behruz Nuriyev, Khan Ro | E♭ Minor | 3 | 2A | 115 BPM | ||
| Don't Give Up | Ulrich Hilbel | F♯ Minor | 4 | 11A | 80 BPM | ||
| Aberrant Zone Combat at Night | Gareth Coker | G Minor | 4 | 6A | 130 BPM | ||
| El Segundo Error | Valores Especiales | A Minor | 0 | 8A | 102 BPM | ||
| Vivere est cogitare | Corpus Dominix | F Major | 2 | 7B | 81 BPM | ||
| To The Next Levee | Bleeding Fingers, Daniel Schatzberg | C Major | 2 | 8B | 78 BPM | ||
| Insonnia | Sagrifizio | A Minor | 3 | 8A | 160 BPM | ||
| Impression | Elore | E♭ Minor | 3 | 2A | 140 BPM | ||
| The Bystander | Pakk Hui | G Major | 0 | 9B | 73 BPM | ||
| La Cura | Non Binary | C Major | 2 | 8B | 110 BPM | ||
| Dominante | Mandy Marshall, Mandy Obnorz | E♭ Minor | 3 | 2A | 95 BPM | ||
| Finales Infelices | Moon Vagrants | B♭ Minor | 4 | 3A | 95 BPM | ||
| Conversation with Ann | Sascha Dikiciyan, Cris Velasco | B Minor | 2 | 10A | 99 BPM | ||
| What Might've Been | Sam Hulick | A Minor | 1 | 8A | 76 BPM | ||
| Shadows | Gergely Buttinger | F Major | 3 | 7B | 83 BPM | ||
| Lab | Martin Madrazo, Martin Lamo | F Minor | 3 | 4A | 135 BPM | ||
| El Nuevo Siglo | Hasta El Final | D♭ Major | 1 | 3B | 90 BPM | ||
| I Disappear | Aysel Kazim, Selenay Kazim | A♭ Major | 4 | 4B | 143 BPM | ||
| Outer Solar System | Anže Rozman, Andrew Christie | A Minor | 3 | 8A | 170 BPM | ||
| Aerials | Mai Clayton, MaiMoone | D♭ Major | 2 | 3B | 170 BPM |