DT Fernando, Mohideen Beig's ' "Thama Hisata Samadaa" was released on its scheduled release date, February 23, 1957. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in DT Fernando's "Jeewitha Satana" album is number 4 out of 9. On top of that, Sri Lanka appears to be the country where this track was created. In terms of popularity, Thama Hisata Samadaa is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Thama Hisata Samadaa by DT Fernando, Mohideen Beig to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Megha Barasila | Vani Jairam | F♯ Major | 4 | 2B | 138 BPM | ||
| Om Namo Narayana - 1986 | P. Susheela, Samudrala Sr. | E Major | 4 | 12B | 161 BPM | ||
| Chhabis January Ka Din | Vidyanath Seth | D♭ Minor | 2 | 12A | 80 BPM | ||
| Ranjangavala - Ranjangaon | Lata Mangeshkar | D♭ Minor | 5 | 12A | 108 BPM | ||
| Chalte Chalte Yun Hi Koi | Lata Mangeshkar | B♭ Minor | 4 | 3A | 87 BPM | ||
| Krishna Naam Ki Ganga Laye | Ravindra Jain | F Minor | 10 | 4A | 83 BPM | ||
| Piya Aaja Re Dil Mera Pukare | Asha Bhosle | E♭ Major | 3 | 5B | 70 BPM | ||
| Reshamachya Dhagvani | Various Artists | B Minor | 3 | 10A | 139 BPM | ||
| Chana Jor Garam Babu Main Laya | Kishore Kumar, Shamshad Begum | F♯ Major | 4 | 2B | 106 BPM | ||
| Aakasi Ganga Bichar Nai | Bhupen Hazarika | B Major | 3 | 1B | 148 BPM | ||
| Paaduvaen | D. G. S. Dhinakaran | F♯ Minor | 7 | 11A | 99 BPM | ||
| Bondhuya Amar Chokhe Jal Enechhe | Jatileswar Mukherjee | A Major | 2 | 11B | 56 BPM | ||
| Hum Bhool Gaye Har Bat | Naseem Begum | E♭ Major | 7 | 5B | 102 BPM | ||
| Garjat Barsat Sawan Aayo Re | Suman Kalyanpur, Kamal Barot, Sahir Ludhianvi | C Major | 5 | 8B | 99 BPM | ||
| Ki Mishti Dekho Mishti | Sandhya Mukherjee | F♯ Minor | 3 | 11A | 107 BPM | ||
| Yeh Jo Mohabbat Hai And Dialogue | Kishore Kumar, Rajesh Khanna, Asha Parekh, R. D. Burman | D♭ Major | 3 | 3B | 123 BPM | ||
| Tomar Ushah Kahunwa Komol | Bhupen Hazarika | A Major | 7 | 11B | 85 BPM | ||
| Shodhisi Manava Rauli Mandiri | Mohammed Rafi | E♭ Minor | 7 | 2A | 93 BPM | ||
| Aji Bramhoputra Holo Barniman | Bhupen Hazarika | B Major | 5 | 1B | 89 BPM | ||
| Aloke Dei | DT Fernando, Mohammed Gauss, Bhagyarathi | F♯ Minor | 2 | 11A | 147 BPM | ||
| Kokkara Kokkara | T. M. Soundararajan, Jikki | A Major | 2 | 11B | 109 BPM | ||
| Sapanare Pathe Pathe | Sikandar Alam | G Major | 4 | 9B | 121 BPM | ||
| Ne Kaandibaa Ne Kaandibaa | Bhupen Hazarika | B Major | 3 | 1B | 140 BPM | ||
| Taqdeer Ki Chidiyan Bole | Kishore Kumar | A Minor | 2 | 8A | 86 BPM | ||
| Maya Meri Sanjha | Bhakta Raj Acharya | F Major | 5 | 7B | 73 BPM |