Nancy Wilson's ' "The Boy From Ipanema" was released on its scheduled release date, January 1, 1964. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. The Boy From Ipanema's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nancy Wilson's "How Glad I Am" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Boy From Ipanema's popularity is average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The Boy From Ipanema by Nancy Wilson to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Miss You So | Nat King Cole Trio | F Major | 1 | 7B | 76 BPM | ||
| It Could Happen To You | Lara Louise | F♯ Major | 1 | 2B | 74 BPM | ||
| Manhattan | Annie Ross | D Major | 1 | 10B | 122 BPM | ||
| Too Marvelous For Words | Nat King Cole Trio | D Minor | 0 | 7A | 138 BPM | ||
| You Don't Know What Love Is | Dakota Staton | B Minor | 1 | 10A | 117 BPM | ||
| Days of Wine and Roses | Billy Eckstine | A♭ Major | 2 | 4B | 86 BPM | ||
| The Nearness Of You | George Shearing Quintet, Nancy Wilson | E♭ Minor | 0 | 2A | 111 BPM | ||
| Loving You | Cyrille Aimee | D♭ Minor | 2 | 12A | 134 BPM | ||
| Two Sleepy People | Carmen McRae | F Major | 1 | 7B | 83 BPM | ||
| Angel Eyes | Anita O'Day | E♭ Major | 1 | 5B | 95 BPM | ||
| Comes Love | Irene Kral | C Major | 1 | 8B | 114 BPM | ||
| Wrap Your Troubles in Dreams | Ernestine Anderson | F Minor | 3 | 4A | 125 BPM | ||
| Twisted - Remastered 2015 | Annie Ross | C Minor | 5 | 5A | 83 BPM | ||
| Almost Like Being In Love | Lester Young, Oscar Peterson Trio | C Major | 1 | 8B | 129 BPM | ||
| Confession / The Other Woman | Veronica Swift | G Minor | 1 | 6A | 78 BPM | ||
| Sunday Kind of Love | Steve Tyrell | B♭ Major | 3 | 6B | 113 BPM | ||
| Try Your Wings | Blossom Dearie | B♭ Major | 0 | 6B | 123 BPM | ||
| Whisper Not | Anita O'Day, The Three Sounds | F Minor | 2 | 4A | 126 BPM | ||
| Oh Look at Me Now | Lee Wiley, Bobby Hackett, Joe Bushkin | F Major | 1 | 7B | 83 BPM | ||
| Copacabana | Sarah Vaughan | A♭ Major | 2 | 4B | 125 BPM | ||
| Tea For You | Carmen McRae | F Major | 2 | 7B | 111 BPM | ||
| It Had to Be You | Bobby Darin | D Major | 3 | 10B | 68 BPM | ||
| Between The Devil And The Deep Blue Sea | Blossom Dearie | G Major | 1 | 9B | 67 BPM | ||
| It Had To Be You | Lara Louise, Colm Ó Riain | F Minor | 5 | 4A | 160 BPM | ||
| Bye Bye Blackbird | Etta Jones | C Minor | 3 | 5A | 126 BPM |