"End It" by Jeff Beal had its release date on January 1, 2013. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. End It's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jeff Beal's "House Of Cards (Music From The Netflix Original Series)" album is number 21 out of 29. On top of that, United States appears to be the country where this track was created. Based on our statistics, End It's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of End It by Jeff Beal to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Contacting Eric / The Answer! | John Ottman | G Minor | 0 | 6A | 83 BPM | ||
| Two Weeks & Counting... | Clint Mansell | B Minor | 4 | 10A | 64 BPM | ||
| The Mass | Andy Maranell, Andy Mardan | C Minor | 2 | 5A | 85 BPM | ||
| I Am Become Death | Ben Salisbury, Geoff Barrow | B♭ Minor | 0 | 3A | 132 BPM | ||
| What's This Really All About? | John Ottman | C Major | 1 | 8B | 180 BPM | ||
| Up to Eden | Marco Beltrami | D Major | 0 | 10B | 70 BPM | ||
| Muir Woods | Patrick Doyle | F Minor | 0 | 4A | 132 BPM | ||
| You Have No Idea | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| Opening Titles / Blood Drips | David Julyan | D♭ Major | 1 | 3B | 116 BPM | ||
| Heronymous | Jeff Beal | A Minor | 2 | 8A | 80 BPM | ||
| I'm Gonna Tell Jesus | Steve Jablonsky | F♯ Major | 6 | 2B | 120 BPM | ||
| "What Are Our Odds?" | Alan Silvestri | C Major | 0 | 8B | 133 BPM | ||
| The Place You Are Right Now | Trent Reznor and Atticus Ross | F Major | 3 | 7B | 132 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| The Last Rites | Abel Korzeniowski | F Major | 1 | 7B | 142 BPM | ||
| Sybil's Theme | Charlie Mole | G Major | 2 | 9B | 106 BPM | ||
| Jupiter Ascending: 2nd Movement | Michael Giacchino | E Minor | 8 | 9A | 88 BPM | ||
| After the Fight | Johan Söderqvist | C Major | 1 | 8B | 78 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| Interrogation | Ólafur Arnalds | B♭ Minor | 0 | 3A | 67 BPM | ||
| Dr. Fletcher in Philadelphia | West Dylan Thordson | E Minor | 1 | 9A | 75 BPM | ||
| A Close Shave | Dario Marianelli | D♭ Minor | 4 | 12A | 83 BPM | ||
| The Drive To Paris | John Powell | C Major | 0 | 8B | 105 BPM | ||
| The Problems of Your Future | David Arnold, Michael Price | A Minor | 2 | 8A | 81 BPM | ||
| I'm Right Behind You | Ryan Amon | F Minor | 6 | 4A | 96 BPM |