- BPM
- 140
- Key
- F♯ Minor
- Camelot
- 11A
コールユーブンゲン: No.79 c) by Franz Wullner, 加賀清孝, 朴令鈴 Song Details
"コールユーブンゲン: No.79 c)" by Franz Wullner, 加賀清孝, 朴令鈴 had its release date on November 21, 2008. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in コールユーブンゲン <固定ド唱> －監修: 三林輝夫－, so we believe that "コールユーブンゲン: No.79 c)" is a single. Based on our statistics, コールユーブンゲン: No.79 c)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of コールユーブンゲン: No.79 c) by Franz Wullner, 加賀清孝, 朴令鈴 is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
Music Key
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.336 dB
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Brahms: Die Meere | Die Feinsliebchen | E Minor | 0 | 9A | 121 BPM | |
 | Turandot, Act III: Introduction – Così comanda Turandot | Giacomo Puccini, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A Minor | 1 | 8A | 88 BPM | |
 | コールユーブンゲン: No.30 f) | Franz Wullner, 寺谷千枝子, 朴令鈴 | C Major | 1 | 8B | 88 BPM | |
 | Salve Regina | Giacomo Puccini, Chiara Taigi, Roberto de Thierry, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F Major | 0 | 7B | 81 BPM | |
 | Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | |
| コールユーブンゲン: No.30 a) | Franz Wullner, 寺谷千枝子, 朴令鈴 | C Major | 1 | 8B | 90 BPM | |
| コールユーブンゲン: No.30 h) | Franz Wullner, 寺谷千枝子, 朴令鈴 | A Major | 1 | 11B | 96 BPM | |
 | Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | |
 | King Arthur, Z. 628: Act III "What power art thou" | Henry Purcell, Pieter Hendriks, BarokOpera Amsterdam, Frederique Chauvet | A Major | 1 | 11B | 91 BPM | |
 | Non vieni del tardar (from "Le Nozze di Figaro") | Adrian Johnston | F Major | 1 | 7B | 170 BPM | |
 | Stabat Mater, FP 148: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | |
 | On Earth As It Is In Heaven | Ennio Morricone | D Major | 2 | 10B | 96 BPM | |
 | Ein Sommernachtstraum (A Midsummer's Night Dream): IV. Lied mit Chor "Bunte Schlangen, zweigezüngt!" | Felix Mendelssohn, Orchestre des Champs-Élysées, Collegium Vocale Gent, Delphine Collot, Sandrine Piau, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 98 BPM | |
 | Misa a Buenos Aires "Misatango": Credo | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | C Minor | 1 | 5A | 76 BPM | |
 | Lieder eines fahrenden Gesellen: No. 4, Die zwei blauen Augen | Gustav Mahler, Dietrich Fischer-Dieskau, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A Minor | 1 | 8A | 87 BPM | |
 | Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM | |
 | Vielle prière bouddhique (Prière quotidienne pour tout l'Univers) For Tenor, Chorus And Orchestra | Lili Boulanger, Julian Podger, The Monteverdi Choir, London Symphony Orchestra, John Eliot Gardiner | F Minor | 1 | 4A | 83 BPM | |
 | Sacri musicali affetti, Op. 5: Mater Anna | Barbara Strozzi, Franck Marcon, Alice Duport-Percier | A Minor | 1 | 8A | 94 BPM | |
 | 朧月夜 | 岡野貞一, Yumiko Samejima | D Major | 1 | 10B | 130 BPM | |
 | Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 10: Aria - Deh Vieni Non Tardar | Donato Di Stefano, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Jozsef Mukk, Ingrid Kertesi, Maria Pia Ionata, Patrizia Pace, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | F Major | 0 | 7B | 69 BPM | |
 | Choeur de Sylphes | Camille Saint-Saëns, Julie Fuchs, Solenn' Lavanant-Linke, Flemish Radio Choir, Brussels Philharmonic, Hervé Niquet | E Minor | 2 | 9A | 108 BPM | |
 | The Master Masons Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | F Minor | 3 | 4A | 141 BPM | |
 | Messa da Requiem: Requiem aeternam | Giuseppe Verdi, Elena Filipova, Gloria Scalchi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | E♭ Minor | 0 | 2A | 130 BPM | |
 | Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | |
 | コールユーブンゲン: ヘ長調和音〜No.59 | Franz Wullner, 平松英子 | F Minor | 1 | 4A | 80 BPM |
- ISRC
- JPH290814245
- Label
- L-M Records/RCA Records