"Turandot, Act III: Introduction – Così comanda Turandot" by Giacomo Puccini, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta had its release date on September 1, 1973. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Puccini: Turandot". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Turandot, Act III: Introduction – Così comanda Turandot is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot, Act III: Introduction – Così comanda Turandot by Giacomo Puccini, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La traviata / Act II: "Annina, donde vieni?... O mio rimorso!" | Giuseppe Verdi, Helena Jungwirth, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | C Major | 3 | 8B | 105 BPM | ||
| Macbeth / Act II: Si colmi il calice | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Alfredo Mariotti, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | F Major | 2 | 7B | 86 BPM | ||
| Madama Butterfly / Act 2: Come una mosca prigionera | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 137 BPM | ||
| Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
| Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida) | Giuseppe Verdi, Riccardo Muti, Montserrat Caballé, New Philharmonia Orchestra | E♭ Minor | 1 | 2A | 80 BPM | ||
| Simon Boccanegra, Prologue: Che dicesti? | Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM | ||
| Tosca / Act 3: "Franchigia a Floria Tosca" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno | D♭ Major | 3 | 3B | 80 BPM | ||
| Puccini: Madama Butterfly, Act 1: "Ed eccoci in famigila" (Pinkerton, Coro, Bonzo, Butterfly, Goro, Suzuki) | Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Lucia Danieli, Nicolai Gedda, Plinio Clabassi, Renato Ercolani, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | G Major | 2 | 9B | 101 BPM | ||
| Lucia di Lammermoor / Act 2: "Per te d'immenso giubilo" | Gaetano Donizetti, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 129 BPM | ||
| Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | F Major | 3 | 7B | 172 BPM | ||
| Tosca / Act III: "Mario Cavaradossi?" - "A voi" | Giacomo Puccini, José Carreras, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 96 BPM | ||
| Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
| La Bohème / Act 4: "In un Coupé?....O Mimi, tu piu non torni" | Giacomo Puccini, Ettore Bastianini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | C Major | 2 | 8B | 171 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 6, Sanctus fortis, Sanctus Deus (Gerontius) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton | D Major | 2 | 10B | 86 BPM | ||
| Rigoletto / Act 2: Cortigiani, vil razza dannata (Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 86 BPM | ||
| Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 2 | 5B | 102 BPM | ||
| Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM | ||
| La Rondine: Act III: Non maledire, ascolta (Magda, Ruggero) | Giacomo Puccini, Svetla Vassileva, Maya Dashuk, Fabio Sartori, Emanuele Giannino, Marzio Giossi, Fernando Luis Ciuffo, Giorgio Berrugi, Andrea Patucelli, Polina Volfson, Alessandra Meozzi, Annunziata Vestri, Puccini Festival Chorus, Puccini Festival Orchestra, Alberto Veronesi | F♯ Major | 4 | 2B | 83 BPM | ||
| L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 94 BPM | ||
| Bizet: Carmen, WD 31, Act 2: "Nous avons en tête une affaire" (Le Dancaïre, Frasquita, Mercédès, Le Remendado, Carmen) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Nicolas Rivenq, Yann Beuron, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 77 BPM | ||
| Tosca: Act I: Non la sospiri la nostra casetta (Tosca, Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander | F Major | 0 | 7B | 86 BPM | ||
| Carmen, Act III: Air: Je dis que rien ne m'épouvante (Micaëla) | Georges Bizet, Inva Mula/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 73 BPM | ||
| Carmen, WD 31, Act II: Gypsy Song. Les tringles des sistres tintaient (Carmen, Fasquita, Zuniga, Mercedes) | Georges Bizet, Graciela Alperyn, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir, Slovak Radio Symphony Orchestra, Ali Rahbari | A Minor | 1 | 8A | 75 BPM |