Billy the Kid Suite: IV. Prairie Night. Card Game at Night by Aaron Copland, Leonard Bernstein, New York Philharmonic Song Details

"Billy the Kid Suite: IV. Prairie Night. Card Game at Night" by Aaron Copland, Leonard Bernstein, New York Philharmonic had its release date on 1960. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Billy the Kid Suite: IV. Prairie Night. Card Game at Night is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Billy the Kid Suite: IV. Prairie Night. Card Game at Night by Aaron Copland, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 24%
Loudness: -28.506 dB
Acousticness: 97%
Danceability: 15%
Energy: 3%
Instrumentalness: 94%
Liveness: 11%
Loudness: 52%
Speechiness: 4%
Valence: 4%

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