Raghunandan Panshikar's 'Natyasangeet Gaud Bilaval' had a release date set for October 15, 2004. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Raghunandan Panshikar's "Janak Thaat Bilaval" album is number 4 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Natyasangeet Gaud Bilaval's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Natyasangeet Gaud Bilaval by Raghunandan Panshikar to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dolat Dolat Tamakat | Pandit Bhimsen Joshi | B♭ Minor | 5 | 3A | 103 BPM | ||
| Radhe Tula Bolavito | Vishnubuva Vavanjekar | B♭ Minor | 8 | 3A | 108 BPM | ||
| Undhu Madha Kalitraan | V2S2, RAGAMALIKATV | A♭ Major | 2 | 4B | 89 BPM | ||
| Laxmi Ashtakam | Shalini Srivastava | C Major | 4 | 8B | 89 BPM | ||
| Commentary | Raghunandan Panshikar | F Minor | 3 | 4A | 175 BPM | ||
| Raga Malkauns - Manava Jaag Re Tu | Chaitanya Kunte, Raghunandan Panshikar | A♭ Major | 5 | 4B | 142 BPM | ||
| Khodya Kari Manmohana | Godavaribai Munde, Rameshbua Shengaonkar, Kashiram Bua | F♯ Major | 7 | 2B | 170 BPM | ||
| Dev Shivacha Avtaar-Abhang | Santosh Dattaram Joil | D Major | 9 | 10B | 104 BPM | ||
| Ambe Ek Kari - From "Renuka Mata Prathana" | Susmirata Dawalkar | B♭ Major | 1 | 6B | 130 BPM | ||
| Pahava Vitthal | Anurag Godbole | F♯ Major | 6 | 2B | 90 BPM | ||
| Jahale Bhajan | Sharmishtha Bhatkar | E♭ Major | 5 | 5B | 85 BPM | ||
| Bhavamulona | Meenakshi Anipindi | E♭ Minor | 7 | 2A | 142 BPM | ||
| Srirudrashtakam; Goswami Tulsidas (Raga Kedar) | Pandit Chhannulal Mishra | E♭ Major | 5 | 5B | 141 BPM | ||
| Durga Ashtakam Stuti | Maa Durga Stotram | Devi Stotra | Piyush Kumar | F♯ Minor | 4 | 11A | 138 BPM | ||
| Naam Sagun Samarth V-2 | Mandar Apte | G Minor | 4 | 6A | 135 BPM | ||
| Ranganai Aadhi Andhanai | A. S. Adhvik Avanthiga, M Kamalakannan | D♭ Major | 5 | 3B | 140 BPM | ||
| Shankarachi Aarti | Yeshwant Kothambikar | D♭ Major | 6 | 3B | 138 BPM | ||
| Shri Swami Samartha Ashtak | Meher Paralikar, Abhijit Bartakke | B♭ Minor | 4 | 3A | 118 BPM | ||
| Shiv Raksha Stotram - Female | Dhanashri Deshpande | A Major | 3 | 11B | 80 BPM | ||
| Panch Vakt Rudra Mantra | Trupti Dave, Mayuri Barot | D♭ Major | 5 | 3B | 100 BPM | ||
| Tarana | Raghunandan Panshikar, Shilpa Puntambekar, Savani Datar Kulkarni, Hemant Gujarathi | A Major | 4 | 11B | 164 BPM | ||
| Krishna Sumiran | Ananya Basu | E Major | 4 | 12B | 100 BPM | ||
| Agajananna Padmarkkam | Mathangi Sathyamoorthi | D♭ Minor | 7 | 12A | 147 BPM | ||
| Aarti Dnyanraja - Dnyaneshwar Aarti | Shrirang Bhave | B♭ Major | 5 | 6B | 110 BPM | ||
| Narsobachya Vadeela | Ajeet Kumar Kadkade | E♭ Major | 4 | 5B | 120 BPM |