Duke Burrell, Sam Lee, Sammy Rimington, McNeil Breaux, Teddy Edwards's ' "Tenderly" was released on its scheduled release date, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Duke Burrell's "Louisiana Shakers" album is number 9 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Tenderly is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tenderly by Duke Burrell, Sam Lee, Sammy Rimington, McNeil Breaux, Teddy Edwards to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| James Weber's Breakdown | Luca Sestak | F Major | 3 | 7B | 133 BPM | ||
| Blues Hangover | Jean-Pierre Bertrand, Stefan Ulbritch | D Major | 6 | 10B | 168 BPM | ||
| Hear Me Talking To You | Norbert Susemihl, Jason Marsalis, Erika Lewis, Shaye Cohn | C Major | 3 | 8B | 124 BPM | ||
| How Long Blues | Michael Pewny, Torsten Zwingenberger | F Major | 3 | 7B | 75 BPM | ||
| Doodlin' | Ray Charles | E♭ Major | 2 | 5B | 85 BPM | ||
| After Hours | Duke Burrell | E Major | 2 | 12B | 112 BPM | ||
| Doctor Jazz | George Lewis | E♭ Major | 2 | 5B | 85 BPM | ||
| Rose Room | Duke Burrell, Sam Lee, Sammy Rimington, McNeil Breaux, Teddy Edwards | F Major | 5 | 7B | 153 BPM | ||
| You Are The Sunshine Of My Life | Dorothy Donegan | C Major | 4 | 8B | 104 BPM | ||
| Lonesome Blues | Woody Allen, Eddy Davis, Greg Cohen | B♭ Major | 2 | 6B | 67 BPM | ||
| Suitcase Blues | Albert Ammons | G Major | 4 | 9B | 177 BPM | ||
| None of My Jelly Roll | Sweet Emma Barrett | G Major | 3 | 9B | 138 BPM | ||
| Rumänisches Volkslied | Eugen Cicero | F Major | 2 | 7B | 144 BPM | ||
| Hayward Boogie | Angelo Badalamenti, David Lynch | D Minor | 2 | 7A | 168 BPM | ||
| Savoy Blues - Remastered 2025 | Lonnie Johnson, Elmer Snowden | G Major | 1 | 9B | 69 BPM | ||
| Blue Fantasia | Johnny Hodges & His Orchestra | C Major | 1 | 8B | 66 BPM | ||
| Hispanic Dance (With a Blue Touch) | Claude Bolling, Alexandre Lagoya | G Major | 4 | 9B | 112 BPM | ||
| Call Me Tomorrow, I Come Next Week | Eyal Vilner Big Band | G Minor | 5 | 6A | 122 BPM | ||
| King Porter Stomp | Norbert Susemihl, Shaye Cohn | F Minor | 3 | 4A | 94 BPM | ||
| When In Rome | Tony Bennett, Bill Evans | C Major | 2 | 8B | 72 BPM | ||
| Caffè pomeridiano | Émilie Roux | B♭ Minor | 4 | 3A | 163 BPM | ||
| Queen of the Highway (Take 12) [No One Could Save Her] - 2020 Remaster | The Doors | C Major | 1 | 8B | 84 BPM | ||
| Farewell to Storyville (Good Time Flat Blues) | Danny O'Keefe | D Major | 1 | 10B | 87 BPM | ||
| Nobody Knows You When You're Down And Out | Jason Isbell, Preservation Hall Jazz Band | D Major | 3 | 10B | 85 BPM | ||
| Old Time Shuffle | Andreas Sobczyk Quartett | G Major | 3 | 9B | 195 BPM |