- BPM
- 86
- Key
- D♭ Major
- Camelot
- 3B
Follow Me 'Ome by Maurice Bell, Rudyard Kipling, Michael Halliwell, David Miller Song Details
"Follow Me 'Ome" by Maurice Bell, Rudyard Kipling, Michael Halliwell, David Miller had its release date on August 7, 2005. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of When the Empire Calls by David Miller, Michael Halliwell. The song's track number on the album is #8 out of 47 tracks. Based on our data, Australia was the country where this track was produced or recorded. Follow Me 'Ome is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Follow Me 'Ome by Maurice Bell, Rudyard Kipling, Michael Halliwell, David Miller has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Follow Me 'Ome being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.127 dB
- Acousticness
- 98%
- Danceability
- 25%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Juditha triumphans, RV 644: Agitata infido flatu - Arr. for Voice & Piano | Antonio Vivaldi, Théophile Alexandre, Guillaume Vincent | D♭ Minor | 3 | 12A | 76 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | |
 | Songs of Travel: No. 7, Whither Must I Wander? | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | C Minor | 0 | 5A | 76 BPM | |
 | The Mikado / Act 1: 14. With aspect stern and gloomy stride | Arthur Sullivan, Kenneth Sandford, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 117 BPM | |
 | Winterreise, Op. 89, D. 911: No. 8, Rückblick | Franz Schubert, Peter Mattei, Lars David Nilsson | C Major | 3 | 8B | 115 BPM | |
 | Die Schöpfung Hob. XXI:2 / Zweiter Teil: 19. Chor mit Soli: Der Herr ist groß in seiner Macht | Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A Major | 4 | 11B | 59 BPM | |
 | Die Fledermaus, Act I: Duett. Komm mit mir zum Souper (Eisenstein, Falke) | Johann Strauss II, Friedrich Haider, Paul Armin Edelmann, Miljenko Turk, WDR Rundfunkorchester Köln | F Major | 1 | 7B | 112 BPM | |
 | Idomeneo, K. 366, Act II Scene 5: Placido è il mar, andiamo (Choir, Elettra) | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Sir Simon Rattle, Bavarian Radio Chorus, Elsa Dreisig | G Major | 5 | 9B | 86 BPM | |
 | Chants sahariens, 5 poèmes touaregs: II La nuit passée | Maurice Jaubert, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | D♭ Major | 0 | 3B | 82 BPM | |
 | Haydn: The Seasons, Hob. XXI:3, Autumn: No. 31, Chor des Landvolks. "Juhe, juhe! der Wein ist da" (Chorus) | Joseph Haydn, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Wiener Symphoniker | G Major | 2 | 9B | 199 BPM | |
 | Rossini: Péchés de vieillesse, Album III "Morceaux réservés": No. 8, Au chevet d'un mourant | Gioachino Rossini, Rockwell Blake, Antonio Pappano | B♭ Major | 0 | 6B | 124 BPM | |
 | Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | |
 | The Dream of Gerontius, Op. 38, Pt.1: Rouse thee, my fainting soul | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | C Minor | 0 | 5A | 115 BPM | |
 | Bellini: I puritani: "Vien, diletto, è in ciel la luna" (Elvira, Riccardo, Giorgio) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Chansons pour les oiseaux: No. 2, Le petit pigeon bleu | Louis Beydts, Julie Roset, Susan Manoff | B♭ Major | 0 | 6B | 124 BPM | |
 | Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | |
 | Puccini: Turandot, Act 1: "Fermo! che fai?" (Coro, Calaf, Pong, Pang, Ping) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Jonas Kaufmann, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 2 | 3B | 126 BPM | |
 | Schubert: Trinklied vor der Schlacht, D. 169 | Franz Schubert, Arnold Schoenberg Chor, Andreas Staier, Erwin Ortner | G Major | 1 | 9B | 95 BPM | |
 | Poulenc: 2 poèmes de Louis Aragon, FP 122: No. 2, Fêtes galantes | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | G Minor | 3 | 6A | 79 BPM | |
 | Five Elizabethan Songs: IV. Sleep | Ivor Gurney, Jodie Devos, Nicolas Krüger | B♭ Minor | 1 | 3A | 95 BPM | |
 | Lorelei, Op. 7 | Hans Sommer, Constance Heller, Gerold Huber | A♭ Minor | 2 | 1A | 73 BPM | |
 | Follow Me 'Ome | Maurice Bell, Rudyard Kipling, Michael Halliwell, David Miller | D♭ Major | 1 | 3B | 86 BPM | |
 | Lohengrin, WWV 75, Act I Scene 3: Nun sei bedankt, mein lieber Schwan! - Wenn ich im Kampfe für dich siege | Richard Wagner, Cheryl Studer, Siegfried Jerusalem, Kurt Moll, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado | F Minor | 6 | 4A | 138 BPM | |
 | Priceless | Yakubu | E Major | 1 | 12B | 103 BPM | |
 | Petite messe solennelle, Credo: XIII. Et vitam venturi | Gioachino Rossini, Krassimira Stoyanova, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, RIAS Kammerchor, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | E Major | 2 | 12B | 114 BPM |
- ISRC
- AUAB00550516
- Label
- L-M Records/RCA Records