On April 30, 2002, the song "Ud Ud Re Kala Re Kagla" was released by Seema Mishra. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The track order of this song in Seema Mishra, Sanjay Raizada, Mukesh Bagda's "Ghoomar, Vol. 4" album is number 9 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Ud Ud Re Kala Re Kagla is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ud Ud Re Kala Re Kagla by Seema Mishra to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chand Chadyo Gignar | Mukesh Bagda, Seema Mishra | E♭ Major | 6 | 5B | 116 BPM | ||
| Tame Re Sundarvanna | Atul Purohit, Himali, Smita Shah | B♭ Major | 4 | 6B | 70 BPM | ||
| Chirmi Ra Daala Chaar | Mamta Singh | B Major | 7 | 1B | 102 BPM | ||
| Mathu Mathu Baas Re Mera | Anuradha Nirala | B Major | 5 | 1B | 119 BPM | ||
| Ek Baar Awo Ji Jawai Ji Pawna | Mamta Singh | F♯ Major | 7 | 2B | 108 BPM | ||
| Ae Ji Shyam Thari Nagri Mein | Sanju Sharma | C Major | 9 | 8B | 110 BPM | ||
| Chaal Chanda Dagaliye Per | Seema Mishra, Mukesh Bagda | A♭ Minor | 6 | 1A | 179 BPM | ||
| Satguru Prem Pyalo Payo - Chetawani Bhajan | Sunita Swami | C Minor | 9 | 5A | 85 BPM | ||
| Shyam Tharo Naam Lage | Reshmi Sharma | D Major | 5 | 10B | 85 BPM | ||
| Meera Bhajan - Mohan Aao Toh Sahi | Rekha Rao | A♭ Minor | 9 | 1A | 94 BPM | ||
| Chudi Patala Dilade | Mamta Singh | D♭ Major | 6 | 3B | 157 BPM | ||
| Singi Gal Vich Paalei | Karnail Rana | B♭ Minor | 6 | 3A | 114 BPM | ||
| Chhogada Taru Chhogaliyu | Hasmukh Patadiya | F♯ Major | 7 | 2B | 144 BPM | ||
| Aaj Mara Mandiriya Ma (feat. Priti Mandalia) | Paras Borkhatria, Priti Mandalia | F Minor | 6 | 4A | 90 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Mahra Piyar Main Boi Gangour | Vaishali Sen, Motha Kharte | E Minor | 5 | 9A | 155 BPM | ||
| Kahan Kho Gaya Manka Meet | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| Sher Pe Sawar Hoke Aaja Meri Maa - Hindi | Vivek Vashisth, Rashmi Yogini | B♭ Minor | 7 | 3A | 80 BPM | ||
| Gey Mai Chandramukhi San | Ranjana Jha | D♭ Major | 8 | 3B | 90 BPM | ||
| Hajma Dheere Dheere Katiyhe Bhuya K Kesh | Poonam Mishra | D Major | 7 | 10B | 167 BPM | ||
| Hira Moti Sona Chandi Naam Che Jalaram Jogi | Farida Mir | E♭ Minor | 7 | 2A | 80 BPM | ||
| Holi Khelungi Saanwariya Tere Sang | Baba Rasika Pagal | C Major | 7 | 8B | 120 BPM | ||
| Khatu Wale Shyam | Sanjay Mital | A Minor | 5 | 8A | 126 BPM | ||
| Jagna Loko Mari Hansi - Pt. 1, From "Vaali Bharwadan" | Damyanti Bordia | C Major | 9 | 8B | 157 BPM | ||
| Ratan Siyalo Rajan | Seema Mishra | E Major | 4 | 12B | 105 BPM |