"Almaladdin" by Calefax Reed Quintet, Eric Vloeimans had its release date on February 14, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "On the Spot". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Almaladdin is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Almaladdin by Calefax Reed Quintet, Eric Vloeimans having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dreigroschensuite: II. Moritat von Mackie Messer | Kurt Weill, Calefax Reed Quintet, Cora Burggraaf | A Minor | 0 | 8A | 83 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Divertissement Grec | Philippe Gaubert, Katrina Penman, Sara Santirso, Beatriz Mier | A Minor | 1 | 8A | 139 BPM | ||
| Pulcinella Suite: I. Sinfonia | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | G Major | 0 | 9B | 91 BPM | ||
| Saint-Saëns: The Swan (Le Cygne) | Conrad Zwicky | G Major | 0 | 9B | 69 BPM | ||
| Purcellian Tune (Arr. for Baroque Ensemble by Judith Steenbrink) | Henry Purcell, Eric Vloeimans, Holland Baroque Society | F♯ Minor | 9 | 11A | 132 BPM | ||
| Quintet for Bassoon, Violin, 2 Violas and Violoncello in B-Flat Major, Op. 14: III. Andante | Johann Evangelist Brandl, Calamus Ensemble | B♭ Major | 1 | 6B | 136 BPM | ||
| Summersault | Calefax Reed Quintet, Eric Vloeimans | D♭ Major | 1 | 3B | 86 BPM | ||
| Concerto in D Major, BWV 972: II. Larghetto | Peter Steiner, Constanze Hochwartner | A Major | 0 | 11B | 63 BPM | ||
| 2e Livre de Sonates à violon seul et basse continue, Sonata X: Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Five Pieces for Two Violins & Piano (Edited from the Film Music for "The Gadfly" by L. Atovmyan): No. 3, Elegy [Arr. for String Quartet by Jacqueline Thomas] | Dmitri Shostakovich, Brodsky Quartet | C Major | 0 | 8B | 31 BPM | ||
| Violin Sonata in E Minor, P. 85: III. Allemanda. Allegro moderato (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 77 BPM | ||
| Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Romanze: Adagio - Allegretto - Adagio | Wolfgang Amadeus Mozart, London Winds, Michael Collins | E♭ Major | 0 | 5B | 132 BPM | ||
| Senex puerum portabat à 5 (arr. Reed Quintet by Alban Wesley) | William Byrd, Calefax Reed Quintet | D Minor | 0 | 7A | 72 BPM | ||
| Suite le rappel des oiseaux: Allemande | Jean-Philippe Rameau, Calefax Reed Quintet | A Minor | 0 | 8A | 133 BPM | ||
| Suite la triomphante: Prélude | Jean-Philippe Rameau, Calefax Reed Quintet | G Minor | 1 | 6A | 71 BPM | ||
| Harlem Nocturne for Bassoon, Double Bass, Hammond Organ and Drums (arr. Marijn van Prooijen) | Earle Hagen, Marijn van Prooijen, Bram van Sambeek, Rick Stotijn, Sven Figee, Marijn Korff de Gidts | A Minor | 2 | 8A | 169 BPM | ||
| Epigrammák (Epigrams): No. 1, Lento [arr. L. Lencses] | Zoltán Kodály, Lajos Lencsés, Budapest Strings | A♭ Major | 1 | 4B | 130 BPM | ||
| Satin Doll | Duke Ellington, Billy Strayhorn, Calefax Reed Quintet | F Major | 2 | 7B | 136 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
| Dido and Aeneazz: No. 9, The sailors | Raaf Hekkema, Eric Vloeimans, Calefax Reed Quintet, Jasper Van Hulten, Guli Gudmundsson | B♭ Major | 4 | 6B | 124 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Minor | 2 | 7A | 72 BPM | ||
| The River - I. The spring | Tony Overwater Trio, Calefax Reed Quintet | F Minor | 2 | 4A | 134 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM |