- BPM
- 58
- Key
- B♭ Major
- Camelot
- 6B
Lyric Pieces Book 10, Op. 71: No. 7, Remembrances by Edvard Grieg, Stephen Hough Song Details
"Lyric Pieces Book 10, Op. 71: No. 7, Remembrances" by Edvard Grieg, Stephen Hough had its release date on May 3, 2015. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edvard Grieg, Stephen Hough's "Grieg: Lyric Pieces" album is number 27 out of 27. On top of that, United Kingdom appears to be the country where this track was created. Lyric Pieces Book 10, Op. 71: No. 7, Remembrances is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Lyric Pieces Book 10, Op. 71: No. 7, Remembrances by Edvard Grieg, Stephen Hough to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
Music Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -34.684 dB
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 1%
- Instrumentalness
- 90%
- Liveness
- 8%
- Loudness
- 42%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | |
 | Holberg Suite, Op. 40: II. Sarabande. Andante | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM | |
 | Jazz Suite No. 2: IV. Waltz I | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | |
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d) | Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: Morning | Donald Sosin, Edvard Grieg, Nora Shulman, Judy Loman | E Major | 0 | 12B | 66 BPM | |
 | Le tombeau de Couperin: 3. Menuet (version for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | A Major | 1 | 11B | 107 BPM | |
 | Thaïs, Act II: Méditation | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 172 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | |
 | Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
 | Sheep May Safely Graze | Johann Sebastian Bach, Leon Fleisher | B♭ Major | 0 | 6B | 98 BPM | |
 | Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | |
 | Nocturne No. 2 in C Minor, H. 25 | John Field, Benjamin Frith | C Minor | 0 | 5A | 98 BPM | |
 | Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | |
 | Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski) | George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 84 BPM | |
 | Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | |
 | Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | Johann Sebastian Bach, Víkingur Ólafsson | E♭ Major | 1 | 5B | 82 BPM | |
 | There Will Come | Rebecca Dale, Philharmonia Orchestra, Michael Collins, Steven Isserlis | B♭ Major | 1 | 6B | 67 BPM | |
 | Préludes, Book 1: VIII. La Fille Aux Cheveux de Lin | Claude Debussy, Anna Tsybuleva | F♯ Major | 0 | 2B | 162 BPM | |
 | Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | |
 | Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | |
 | Finlandia, Op. 26 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | |
 | Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | |
 | Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM | |
 | Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM |
- ISRC
- GBAJY1507027
- Label
- L-M Records/RCA Records