"Strauss, R: Also sprach Zarathustra, Op. 30: Introduction" by Richard Strauss, Alain Lombard, Orchestre Philharmonique De Strasbourg had its release date on December 9, 2008. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 40 Most Beautiful Classical Anthems, so we believe that "Strauss, R: Also sprach Zarathustra, Op. 30: Introduction" is a single. Strauss, R: Also sprach Zarathustra, Op. 30: Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Strauss, R: Also sprach Zarathustra, Op. 30: Introduction by Richard Strauss, Alain Lombard, Orchestre Philharmonique De Strasbourg is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| L'oiseau de feu, K. 10. Suite 1919: VI. Berceuse | Igor Stravinsky, Budapest Festival Orchestra, Iván Fischer | A Minor | 0 | 8A | 103 BPM | ||
| Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
| Pelléas et Mélisande, Op. 80, Suite: IV. La mort de Mélisande | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
| Symphonia domestica, Op. 53, TrV 209: Wiegenlied - | Richard Strauss, Staatskapelle Weimar, Antoni Wit | G Major | 0 | 9B | 80 BPM | ||
| Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | ||
| Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
| Rote Rosen, TrV 119 | Richard Strauss, Louise Alder, Joseph Middleton | A♭ Major | 0 | 4B | 71 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Serenade in C Major, Op. 48: III. Elegie | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D Major | 1 | 10B | 89 BPM | ||
| Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
| Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A Minor | 1 | 8A | 124 BPM | ||
| Les soirs illuminés par l'ardeur du charbon, L.150 (Arr. by Colin Matthews) | Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder | D♭ Major | 0 | 3B | 79 BPM | ||
| Elektra: Xxvi. Agamemnon hört dich! | Hugo von Hofmannsthal, Richard Strauss, Lennart Stregård, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Ma mère l'oye, Ballet, M. 62: XI. Apothéose. Le jardin féerique | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
| Symphony No. 9 in D Minor, Op. 125: IVa. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 0 | 10B | 82 BPM | ||
| Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Minor | 0 | 9A | 68 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 86 BPM | ||
| Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 0 | 7B | 87 BPM | ||
| Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM |