"Into the Unknown" by Ramon Kündig, Meryl Marty had its release date on November 14, 2017. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The Lost Valley (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Based on our statistics, Into the Unknown's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Into the Unknown by Ramon Kündig, Meryl Marty having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Sereno | Bergi | D Minor | 0 | 7A | 68 BPM | ||
| Breakfast at Tiffany's: Moon River | Henry Mancini, Romain Leleu, Stuttgart Philharmonic Orchestra, Marcus Bosch | G Minor | 0 | 6A | 66 BPM | ||
| When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | ||
| Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | ||
| Die Küche brennt | Ramon Kündig | E♭ Major | 4 | 5B | 80 BPM | ||
| V. Earth | Rachel Portman, Niklas Liepe, WDR Funkhausorchester, Erina Yashima | G Minor | 1 | 6A | 99 BPM | ||
| Love Letters | Pakk Hui | D♭ Major | 2 | 3B | 116 BPM | ||
| Awakening | Ramon Kündig | F Minor | 3 | 4A | 81 BPM | ||
| Concerto Magna Carta: I. Sprightly and animated | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Flight | Ramon Kündig | F Minor | 3 | 4A | 81 BPM | ||
| Eternal Story | Philippe Lhommet | C Major | 3 | 8B | 119 BPM | ||
| Reflections | Ola Gjeilo, Thomas Gould, Ciaran McCabe, Jon Thorne, Matthew Sharp | D♭ Major | 0 | 3B | 70 BPM | ||
| La wally (Instrumental) [Remastered] | Vladimir Cosma, Hubert Varron, Raymond Allessandrini | B♭ Major | 1 | 6B | 67 BPM | ||
| Love Song | Charlie Chaplin, Philippe Quint | G Minor | 2 | 6A | 83 BPM | ||
| Norma, Act I: Casta Diva (Arr. for Cello & Orchestra by Jan Vogler) - Radio Edit | Vincenzo Bellini, Jan Vogler, BBC Philharmonic, Omer Meir Wellber | D Major | 5 | 10B | 140 BPM | ||
| The Space Boléro | Yoann Garel | C Major | 1 | 8B | 81 BPM | ||
| Finale | Ramon Kündig | C Minor | 3 | 5A | 68 BPM | ||
| The Renaissance Suite: II. PAVANE in Burnt Orange | Julie Cooper, Clio Gould, Camilla Pay, Oculus Ensemble, Simon Hale | G Minor | 1 | 6A | 131 BPM | ||
| Little Things | Lioen Marek | F Major | 0 | 7B | 161 BPM | ||
| Interlinked – III. Communication | Luke Howard, Royal Ballet Sinfonia | D Major | 2 | 10B | 121 BPM | ||
| Dolomites, pale mountains: I. Marmolada | Rachel Portman, LGT Young Soloists, Alexander Gilman | G Major | 0 | 9B | 86 BPM | ||
| Pure Imagination | Mike Dixon | A♭ Major | 0 | 4B | 180 BPM | ||
| Snow Is Falling Upon the Living and the Dead | Alberto Iglesias | C Major | 2 | 8B | 73 BPM | ||
| The Census | Guy Farley | F Major | 1 | 7B | 84 BPM | ||
| Prelude in E Minor, Op. 28, No.4 | Tegelhof Kammerorchester | D Minor | 2 | 7A | 107 BPM |