On January 1, 1992, the song "Rae's Arrival" was released by Jerry Goldsmith. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jerry Goldsmith's "Medicine Man (Original Motion Picture Soundtrack)" album is number 1 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, Rae's Arrival's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Rae's Arrival by Jerry Goldsmith to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A River Runs Through It | Mark Isham | G Major | 4 | 9B | 133 BPM | ||
| National Treasure Suite | Trevor Rabin | B♭ Minor | 4 | 3A | 98 BPM | ||
| Operation Valkyrie | John Ottman | F Major | 2 | 7B | 146 BPM | ||
| The Ghost and the Darkness | New World Orchestra | C Major | 3 | 8B | 120 BPM | ||
| Finding The Bottle | Gabriel Yared | A♭ Major | 3 | 4B | 89 BPM | ||
| ESCAPE FROM NEW YORK: Main Title | San Fernando Symphonic Assembly | E Minor | 3 | 9A | 79 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| Night Life | Jerry Goldsmith | D♭ Major | 1 | 3B | 131 BPM | ||
| Silver Streak | Henry Mancini | B♭ Major | 3 | 6B | 142 BPM | ||
| Protect Life | Éric Serra | B Minor | 1 | 10A | 80 BPM | ||
| Love Scene | Brad Fiedel | D Minor | 0 | 7A | 168 BPM | ||
| Tender Memories | Vangelis | D Major | 0 | 10B | 86 BPM | ||
| The Will Of Good Men | Trevor Jones | A Major | 1 | 11B | 76 BPM | ||
| Five Circles | Vangelis | D Major | 1 | 10B | 63 BPM | ||
| Shore: Finale | Howard Shore, Münchner Symphoniker | D Minor | 2 | 7A | 140 BPM | ||
| Tavern Fight (Phillipe) | Andrew Powell, Philharmonia Orchestra | D Minor | 4 | 7A | 120 BPM | ||
| Mountain High | Jerry Goldsmith | D Minor | 3 | 7A | 80 BPM | ||
| Last Letter | Gabriel Yared | G Minor | 2 | 6A | 79 BPM | ||
| Shogun | Maurice Jarre | C Minor | 3 | 5A | 75 BPM | ||
| Iced Inc. | Die Another Day Soundtrack | C Major | 9 | 8B | 156 BPM | ||
| Recordando a Quevedo | Roque Baños, Pro Arte Orchestra Of London | D Minor | 0 | 7A | 173 BPM | ||
| First Meeting | Jerry Goldsmith | A♭ Major | 1 | 4B | 91 BPM | ||
| Flying Over Africa | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| Elk Hunt | Trevor Jones | C Major | 5 | 8B | 193 BPM | ||
| Famous Mathematicians | Mark Isham | B Major | 3 | 1B | 114 BPM |