"2台のピアノのための協奏曲 ニ短調 I. Allegro ma non troppo" by F. プーランク, 伊藤曜子(ピアノ), 藤井一興(ピアノ), 延原武春(指揮), テレマン室内オーケストラ had its release date on October 25, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 16 out of 18 in F. プーランク:ナゼルの夜会 by F. プーランク, 伊藤曜子(ピアノ). Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. 2台のピアノのための協奏曲 ニ短調 I. Allegro ma non troppo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2台のピアノのための協奏曲 ニ短調 I. Allegro ma non troppo by F. プーランク, 伊藤曜子(ピアノ), 藤井一興(ピアノ), 延原武春(指揮), テレマン室内オーケストラ is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Un Soir a Saint-Emilion | Christopher Millard, Kenneth Broadway, piano | F♯ Major | 0 | 2B | 67 BPM | ||
| Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
| Concerto for Cello and Orchestra No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Hee-young Lim | C Major | 1 | 8B | 116 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: II. Menuett | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | ||
| Serenade After Plato's "Symposium": II. Aristophanes. Allegretto | Leonard Bernstein, Esther Yoo, Royal Philharmonic Orchestra, Long Yu | C Major | 0 | 8B | 83 BPM | ||
| 子守歌 | Gabriel Fauré, マクサンス・ラリュー, 霧生トシ子 | F Major | 1 | 7B | 110 BPM | ||
| Horn Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Imre Magyari, Ilona Prunyi | A Major | 1 | 11B | 145 BPM | ||
| Der Kaufmann von Smyrna: Overture | Georg Joseph Vogler, Munich Radio Orchestra, Howard Griffiths | C Major | 2 | 8B | 122 BPM | ||
| Overture in D Major, Op. 8, No. 4: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 1 | 9B | 106 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| I. Adagio ma non troppo | Fanny Mendelssohn, Minguet Quartett | C Major | 0 | 8B | 83 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia | C Major | 0 | 8B | 83 BPM | ||
| Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
| Sonata III in F major: Largo | Carl Lenthe | F Major | 0 | 7B | 66 BPM | ||
| Andante et rondo, Op. 25: No. 2, Rondo | Franz Doppler, Karl Doppler, Wolfgang Schulz, Matthias Schulz, Ferenc Bognar | C Major | 1 | 8B | 115 BPM | ||
| Flute Sonata in C Major, BWV 1033: II. Allegro | Johann Sebastian Bach, Andrea Oliva, Angela Hewitt | C Major | 2 | 8B | 117 BPM | ||
| Mozart, Leopold: Trombone Concerto in D Major: II. Adagio | Leopold Mozart, Philippe Entremont, Vienna Chamber Orchestra | A Major | 4 | 11B | 102 BPM | ||
| Horn Concerto No. 4 in E-flat Major, K. 495: ii. Romanze: Andante cantabile | Mozart, Albert Linder, Hans Swarowsky, Vienna State Opera Orchestra | E♭ Major | 1 | 5B | 95 BPM | ||
| Fauré: Après un rêve | Gabriel Fauré, Cocomi, Alexander Gadjiev | D Major | 1 | 10B | 175 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Esther Yoo, Royal Philharmonic Orchestra, Long Yu | C Major | 0 | 8B | 83 BPM | ||
| Quintett No.3 in E flat for solo Clarinet and String Orchestra Op.23: II. Adagio | Heinrich Joseph Baermann, Sabine Meyer, Kenneth Sillito, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 66 BPM | ||
| Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 105 BPM | ||
| Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Ernst Ottensamer, Slovak Radio Symphony Orchestra, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | C Major | 0 | 8B | 77 BPM | ||
| 常動曲 Ⅲ.アレルト(機敏に) | F. プーランク, 工藤重典(フルート), 福田 進一(ギター) | E Major | 1 | 12B | 107 BPM |