Rabindranath Tagore's 'Chhoto Baro' had a release date set for January 7, 1932. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Chhoto Baro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Voice Of Rabindranath Tagore". In this album, this song's track order is #12. Furthermore, we believe that the track originated from India. The popularity of Chhoto Baro is currently unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Chhoto Baro by Rabindranath Tagore having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ram Ko Dekhkr Shri Janak Nandini | Zendria | C Major | 3 | 8B | 139 BPM | ||
| Baro Asha Kore Esechhi Go | Debabrata Biswas | B Minor | 3 | 10A | 64 BPM | ||
| Anandaloke Mongolaloke | Jayati, Lopamudra, Raghab, Manomoy, Gautam, Sraboni, Surojit | E♭ Major | 3 | 5B | 114 BPM | ||
| Bhalo Kore Bajan Re | Maadal | A Major | 2 | 11B | 143 BPM | ||
| Gaanwala | Kabir Suman | D Major | 3 | 10B | 80 BPM | ||
| Barne Gandhe Chhande Gitite | S. D. Burman | D Major | 3 | 10B | 183 BPM | ||
| Se Amar Chhoto Bon | Manna Dey | E Major | 3 | 12B | 106 BPM | ||
| Phule Phule Dhole Dhole | Indrani Sen, Indranil Sen | F Major | 2 | 7B | 113 BPM | ||
| Hriday Amar Nachere - Instrumental | Rabindranath Tagore | G Major | 2 | 9B | 132 BPM | ||
| Pagla Hawar Badol Dine - From " Antorey Rabindra " | Sneha Bhattacharya, Rabindranath Tagore, Koustav Hait | G Major | 4 | 9B | 150 BPM | ||
| Ami Kothay Pabo Tare | Tirtha Bhattacharjee | G Major | 6 | 9B | 157 BPM | ||
| Feludar Gaan | Anjan Dutt, Kabir Suman | C Major | 4 | 8B | 94 BPM | ||
| Ei Shohor Amar Ar Noy | Saif Zohan | D♭ Major | 4 | 3B | 135 BPM | ||
| Eso Eso Eso Hey Baishakh - Instrumental | Rabindranath Tagore | G Major | 1 | 9B | 112 BPM | ||
| Shurey Shurey Taakey | Jimut Roy | A Major | 6 | 11B | 92 BPM | ||
| Gram Chara Oi | Rupmanjuri Das, Kaushik Acharjee, Rabindranath Tagore | A♭ Major | 7 | 4B | 110 BPM | ||
| Mor Bhabonare Ki Haoway | Somlata | D♭ Major | 5 | 3B | 104 BPM | ||
| Tomari Pathpane Chahi | Shyamal Mitra | F Major | 4 | 7B | 104 BPM | ||
| Jibono Moroner | Piya Chakraborty | D♭ Minor | 5 | 12A | 125 BPM | ||
| Lal Jhuti Kakatua | Ranu Mukherjee | G Minor | 4 | 6A | 97 BPM | ||
| Shurey Shurey Jodi | Tushar Dutta | A Major | 6 | 11B | 110 BPM | ||
| Jakhan Porbe Na Mor Payer Chinho | Lagnajita Chakraborty | B♭ Major | 4 | 6B | 105 BPM | ||
| Man Kunto Maula | Soham Chakrabarty | C Minor | 8 | 5A | 116 BPM | ||
| Tumi Esechhile Porshu | S. D. Burman | F♯ Minor | 3 | 11A | 141 BPM | ||
| Ebar Mole Suto Hobo | Manna Dey | F♯ Major | 3 | 2B | 93 BPM |