Jean-Philippe Rameau, Bruce Liu's 'La poule, RCT 6/12' had a release date set for November 3, 2023. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. La poule, RCT 6/12's duration is considered a little bit shorter than the average duration of a typical track. This song is part of WAVES: Music by Rameau, Ravel, Alkan by Bruce Liu, Jean-Philippe Rameau, Charles-Valentin Alkan, Maurice Ravel. The song's track number on the album is #25 out of 25 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, La poule, RCT 6/12's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La poule, RCT 6/12 by Jean-Philippe Rameau, Bruce Liu has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With La poule, RCT 6/12 being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
| Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 100 BPM | ||
| 27 Pieces for Viola da gamba: Prelude, WKO 205 | Carl Friedrich Abel, Petr Wagner | D♭ Minor | 1 | 12A | 98 BPM | ||
| Cello Concerto No. 2 in D Major, Hob. VIIb: II. Adagio | Joseph Haydn, Alisa Weilerstein, TrondheimSolistene | G Major | 0 | 9B | 70 BPM | ||
| Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Racha Arodaky | D Minor | 4 | 7A | 132 BPM | ||
| King Arthur, Z. 628: Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | E Minor | 0 | 9A | 92 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 645 | Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 79 BPM | ||
| Violin Sonata No. 3 in F Major, C. 140: V. Variatio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | E Major | 0 | 12B | 74 BPM | ||
| Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 82 BPM | ||
| Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (Arr. for Piano by Ignaz Friedman) | Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
| Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 168 BPM | ||
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, David Fray | D Major | 0 | 10B | 68 BPM | ||
| イエスよ、私は主の名を呼ぶ BWV639 | Meiko Miyazawa | F Minor | 0 | 4A | 128 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Hasse: Serpentes ignei in deserto: Introduzione: II. Fugue | Johann Adolf Hasse, Thibault Noally, Les Accents | A Major | 2 | 11B | 83 BPM | ||
| Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles | Jean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble Basel | F♯ Minor | 3 | 11A | 87 BPM | ||
| 6 Sonates en symphonies, Op. 3, Sonata No. 6: IIa. Larghetto | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | A♭ Minor | 0 | 1A | 133 BPM | ||
| Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Bocherini / Arr. Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
| La Couperin: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 120 BPM | ||
| Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
| Suite en la: Gavotte et six Doubles | Jean-Philippe Rameau, Natacha Kudritskaya | G Major | 2 | 9B | 197 BPM |