"Karen's Return From Border" by John Barry had its release date on October 21, 1997. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Out Of Africa". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Karen's Return From Border is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Karen's Return From Border by John Barry having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aurora De Cristal | Symphorus | G Major | 2 | 9B | 97 BPM | ||
| We Will Break That Record | Steven Price | D♭ Major | 1 | 3B | 66 BPM | ||
| Sand Between Stars | Joseph R Dolan, Ghibli | A Major | 3 | 11B | 142 BPM | ||
| Sweets To The Sweet Farewell - From "Hamlet" | Patrick Doyle, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | F Major | 1 | 7B | 83 BPM | ||
| The Competition | Guy Farley | B Minor | 2 | 10A | 68 BPM | ||
| Wonderful Days Theme Ⅱ (Orchestra Version) | Czech Philharmonic Orchestra | D Minor | 1 | 7A | 77 BPM | ||
| First Love Touch | Angelo Badalamenti | F Major | 1 | 7B | 140 BPM | ||
| Sebastian's Summer | Geoffrey Burgon | G Major | 3 | 9B | 111 BPM | ||
| To Belong - From "Werk ohne Autor" Soundtrack | Max Richter, Air Lyndhurst Orchestra | B Major | 0 | 1B | 84 BPM | ||
| These I Send to You | Max Richter | B♭ Minor | 2 | 3A | 120 BPM | ||
| The Miracle of the Bread | B.S.O. Varios | F♯ Minor | 1 | 11A | 76 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Elizabeth's Dance | Guy Farley | F Major | 2 | 7B | 97 BPM | ||
| Theresa | Gabriel Yared | D Minor | 2 | 7A | 82 BPM | ||
| My Boys, I Cannot See Them | Fernando Velázquez | A Minor | 2 | 8A | 99 BPM | ||
| Brideshead Revisited: No. 15, Contra Mundum | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| Nineteen Twelve | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 2 | 8B | 77 BPM | ||
| The Census | Guy Farley | F Major | 1 | 7B | 84 BPM | ||
| The John Dunbar Theme (From "Dance with Wolves" Soundtrack) | Jeff Barry, John Barry | F Major | 0 | 7B | 142 BPM | ||
| Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
| Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
| First Kiss | Maurice Jarre | C Major | 0 | 8B | 84 BPM | ||
| I'm Better At Hello | John Barry | D Minor | 1 | 7A | 53 BPM | ||
| Lake Starnberg | Pino Donaggio | D Major | 1 | 10B | 139 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM |