Pablo de Sarasate, Vienna Brass Connection's ' "Carmen Fantasy for Violin and Orchestra: Allegro Moderato II" was released on its scheduled release date, October 14, 2016. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Carmen Fantasy for Violin and Orchestra: Allegro Moderato II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Open Minded". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Austria. In terms of popularity, Carmen Fantasy for Violin and Orchestra: Allegro Moderato II is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Carmen Fantasy for Violin and Orchestra: Allegro Moderato II by Pablo de Sarasate, Vienna Brass Connection having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata for Violin and Continuo in G Minor, B. g5 - "Il trillo del diavolo": IV. Allegro assai - Live | Giuseppe Tartini, Anne-Sophie Mutter, TrondheimSolistene | G Minor | 1 | 6A | 78 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
| String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 174 BPM | ||
| Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro non troppo | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | B♭ Minor | 3 | 3A | 129 BPM | ||
| Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romance | Erich Wolfgang Korngold, Jascha Heifetz, Los Angeles Philharmonic, Alfred Wallenstein | G Major | 3 | 9B | 102 BPM | ||
| Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
| Souvenir de Florence, Op. 70: III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D♭ Major | 1 | 3B | 82 BPM | ||
| Praeludium and Allegro (In the Style of Pugnani) - Instrumental | Midori, Robert McDonald | E Minor | 1 | 9A | 84 BPM | ||
| Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | ||
| Violin Concerto In E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | E Major | 2 | 12B | 81 BPM | ||
| Five Pieces For Two Violins and Piano: III. Elegy | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | A Major | 1 | 11B | 92 BPM | ||
| Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
| 2 Pieces for Cello & Orchestra, Op. 20: No. 2, Sérénade espagnole | Alexander Glazunov, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | D Major | 2 | 10B | 133 BPM | ||
| The Four Seasons, Concerto No. 4 in F Minor, RV 297 "Winter": II. Largo | Antonio Vivaldi, Chloe Chua, Singapore Symphony Orchestra, Chan Yoong Han | A Major | 3 | 11B | 99 BPM | ||
| Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro aperto | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 126 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
| Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
| Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | E Major | 4 | 12B | 107 BPM | ||
| Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
| Sarasate: Carmen Concert Fantasy, Op. 25: V. Moderato | Pablo de Sarasate, Sarah Chang, Plácido Domingo, Berliner Philharmoniker | C Major | 3 | 8B | 164 BPM | ||
| Contemplation (After J. Brahms' 5 Lieder, Op. 105) | Jascha Heifetz, Elissa Lee Koljonen, Robert Koenig | D♭ Major | 1 | 3B | 95 BPM | ||
| Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
| Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM |