Dashboard Confessional's 'This Bitter Pill' had a release date set for 2001. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "The Places You Have Come To Fear The Most". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, This Bitter Pill's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With This Bitter Pill by Dashboard Confessional having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bruised - Acoustic Version; 2015 Remaster | Jack's Mannequin | E♭ Major | 5 | 5B | 122 BPM | ||
| Tennis Court Soundtrack | Daphne Loves Derby | E♭ Major | 4 | 5B | 170 BPM | ||
| Whispering | I Can Make A Mess | A Minor | 6 | 8A | 149 BPM | ||
| Your Own Disaster | Taking Back Sunday | E Major | 6 | 12B | 125 BPM | ||
| Just a Taste | Scary Kids Scaring Kids | D Major | 7 | 10B | 133 BPM | ||
| For The Workforce, Drowning | Thursday | D Minor | 9 | 7A | 95 BPM | ||
| Yes, Even Stars Break | The Scene Aesthetic | E Major | 3 | 12B | 83 BPM | ||
| The Closer I Get | tyDi, Dashboard Confessional | A Minor | 8 | 8A | 150 BPM | ||
| Blame It On Bad Luck | Bayside | B♭ Minor | 4 | 3A | 75 BPM | ||
| 23 | Jimmy Eat World | D Major | 8 | 10B | 141 BPM | ||
| The Night Life | The Starting Line | D Major | 9 | 10B | 138 BPM | ||
| Pollen And Salt | Daphne Loves Derby | F♯ Major | 3 | 2B | 62 BPM | ||
| Three Cheers For Five Years | Mayday Parade | B Major | 9 | 1B | 140 BPM | ||
| It Never Gets Easier | Straylight Run | E♭ Minor | 9 | 2A | 150 BPM | ||
| Mix Tape | Brand New | D♭ Major | 7 | 3B | 137 BPM | ||
| Autumns Monologue | From Autumn To Ashes | A Minor | 6 | 8A | 137 BPM | ||
| Selective | The Starting Line | D Major | 9 | 10B | 138 BPM | ||
| Ohio Is For Lovers | Hawthorne Heights | A♭ Minor | 8 | 1A | 170 BPM | ||
| Alvin Maker's Greensong | The Scene Aesthetic | E Major | 4 | 12B | 178 BPM | ||
| Grey Matter | Finch | F♯ Major | 10 | 2B | 112 BPM | ||
| Landing Feet First | Bayside | A Major | 3 | 11B | 175 BPM | ||
| Say Anything (Else) | Cartel | D♭ Major | 6 | 3B | 140 BPM | ||
| Pace Yourself | The Higher | E Major | 6 | 12B | 158 BPM | ||
| Only One | Yellowcard | D♭ Minor | 9 | 12A | 81 BPM | ||
| Playing For Keeps | Matchbook Romance | E Major | 5 | 12B | 79 BPM |