From Autumn To Ashes's ' "Autumns Monologue" was released on its scheduled release date, July 6, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "The Fiction We Live". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Autumns Monologue's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Autumns Monologue by From Autumn To Ashes having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| White Days | The Juliana Theory | D Major | 7 | 10B | 135 BPM | ||
| Under A Killing Moon | Thrice | A♭ Major | 10 | 4B | 185 BPM | ||
| Icarus | Hopesfall | D Minor | 8 | 7A | 77 BPM | ||
| Autumns Monologue | From Autumn To Ashes | A Minor | 6 | 8A | 137 BPM | ||
| Bleed For You | Hidden In Plain View | E Major | 10 | 12B | 140 BPM | ||
| Loved Ones (excerpts from speeches of how great you were, and will never be again) | Poison The Well | F Major | 9 | 7B | 83 BPM | ||
| Self-Conclusion | The Spill Canvas | B♭ Major | 4 | 6B | 158 BPM | ||
| Sunday Drive | The Early November | D♭ Major | 4 | 3B | 143 BPM | ||
| Broken Wings | Bleed The Dream | A♭ Major | 8 | 4B | 142 BPM | ||
| Okay I Believe You, But My Tommy Gun Don't | Brand New | E♭ Minor | 6 | 2A | 111 BPM | ||
| The One Armed Boxer vs. the Flying Guillotine | From First To Last | B Minor | 9 | 10A | 111 BPM | ||
| Where Do You Draw The Line | From Autumn To Ashes | A♭ Major | 10 | 4B | 125 BPM | ||
| We Are the End | Alexisonfire | D♭ Major | 10 | 3B | 141 BPM | ||
| The Best Deceptions | Dashboard Confessional | D♭ Major | 4 | 3B | 86 BPM | ||
| Down, Set, Go | Underoath | F♯ Minor | 9 | 11A | 172 BPM | ||
| You Always Say Goodnight, Goodnight | The Juliana Theory | D Minor | 6 | 7A | 137 BPM | ||
| Scarlett Letter, Pt. 2 | Halifax | A♭ Minor | 4 | 1A | 112 BPM | ||
| A Story for Supper | Lydia | A Minor | 6 | 8A | 110 BPM | ||
| The Quiet Things That No One Ever Knows | Brand New | F♯ Major | 8 | 2B | 80 BPM | ||
| Telescope Eyes | Eisley | B Minor | 8 | 10A | 202 BPM | ||
| Planning a Prison Break | The Receiving End Of Sirens | A♭ Major | 9 | 4B | 91 BPM | ||
| Where Can I Stab Myself In The Ears | Hawthorne Heights | E♭ Minor | 9 | 2A | 171 BPM | ||
| Tilting The Hourglass | Alesana | A Minor | 9 | 8A | 115 BPM | ||
| A Farewell to a Friendship | A Change of Pace | D Major | 3 | 10B | 97 BPM | ||
| A Sip Of Wine Chased With Cyanide | A Static Lullaby | D Major | 9 | 10B | 174 BPM |