Michele Brustia & Poul Bjorling's ' "Last Man Standing" was released on its scheduled release date, January 14, 2016. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "High Noon: Vintage Cowboy Music of the Old West" album is number 3 out of 14. On top of that, Denmark appears to be the country where this track was created. Based on our statistics, Last Man Standing's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Last Man Standing by Michele Brustia & Poul Bjorling to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lazarus | Tim Wynn | A♭ Major | 4 | 4B | 144 BPM | ||
| Metal Gear Solid | Tina Guo | G Major | 5 | 9B | 92 BPM | ||
| Heart | Blue Stahli | C Minor | 3 | 5A | 88 BPM | ||
| Sea of Flames | Epic North | D Major | 7 | 10B | 105 BPM | ||
| The Last Hero | Peter Crowley | F Minor | 8 | 4A | 114 BPM | ||
| Spellborn | Sham Stalin | F♯ Minor | 6 | 11A | 76 BPM | ||
| Game of Blades | Doyle W. Donehoo | C Minor | 5 | 5A | 140 BPM | ||
| Rebirth | Hi-Finesse, Natacha Atlas | C Major | 5 | 8B | 96 BPM | ||
| Outlaw Ambush | Sarah Schachner | C Minor | 8 | 5A | 160 BPM | ||
| Armageddon Rides to Town | Jesper Kyd | B♭ Minor | 8 | 3A | 130 BPM | ||
| Become as Gods | ROZEN, REVEN | E Major | 8 | 12B | 150 BPM | ||
| Republic | NINJA TRACKS | E Minor | 8 | 9A | 100 BPM | ||
| When All Lights Go Out | Erik Ekholm | B Minor | 5 | 10A | 120 BPM | ||
| The Blasted Heath | Stuart Chatwood | G Minor | 7 | 6A | 80 BPM | ||
| Dark Aeon | Erik Ekholm | C Major | 8 | 8B | 160 BPM | ||
| Faraway (Remaster) | Antti Martikainen | F Minor | 9 | 4A | 100 BPM | ||
| The Monitor | Sarah Schachner | D Major | 5 | 10B | 96 BPM | ||
| Zsera Suite | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | G Minor | 4 | 6A | 100 BPM | ||
| Strategic Alignment | Audiomachine | B Minor | 5 | 10A | 120 BPM | ||
| Leaving Earth | Audiofire Studios | D Minor | 4 | 7A | 139 BPM | ||
| The Outer Worlds Main Theme (From "The Outer Worlds") | Justin Bell, Celestial Aeon Project | D Minor | 1 | 7A | 120 BPM | ||
| Grind to Dust | Epic Score | A Minor | 6 | 8A | 124 BPM | ||
| War of the Chosen | Tim Wynn | D Major | 4 | 10B | 140 BPM | ||
| Las Facetas Del Guerrero | Ritmo De Batalla | A Major | 4 | 11B | 140 BPM | ||
| A March Across Ancient Land | John Abbot | E♭ Minor | 1 | 2A | 181 BPM |