Pierre de la Rue, New London Chamber Choir, James Wood's 'Missa pro defunctis: I. Introit' had a release date set for January 1, 1986. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Pierre De La Rue: Requiem - Josquin Desprez: Mass - Hercules dux Ferrariae - Deploration". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Missa pro defunctis: I. Introit is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa pro defunctis: I. Introit by Pierre de la Rue, New London Chamber Choir, James Wood having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
| Brumel: Missa Et ecce terrae motus, Gloria - 1. Gloria in excelsis | Antoine Brumel, Peter Phillips, The Tallis Scholars | A♭ Major | 2 | 4B | 133 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| Intrada à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | ||
| Doleo super te frater mi Ionatha | Pierre de la Rue, Alamire, David Skinner | E Minor | 1 | 9A | 112 BPM | ||
| Ricercar sexto | Jacques Buus, Musurgia Ensemble, João Francisco Távora | B♭ Minor | 1 | 3A | 76 BPM | ||
| Spiritual Gregorian Chants Chant Templar Chant Peaceful Monks | Choir Of St. Abuscus, Chants of Eternity | A Minor | 2 | 8A | 112 BPM | ||
| Missa pro defunctis a 5 "Requiem": I. Introitus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Inviolata, integra et casta | Josquin des Prez, Odhecaton, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Monks Spiritual Peaceful Meditation | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Gregorian Chants | F Major | 1 | 7B | 114 BPM | ||
| In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
| Petite messe solennelle: II. Kyrie. Christe eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri | A Minor | 0 | 8A | 172 BPM | ||
| Missa, "In myne zin": Agnus Dei: Agnus I | Alexander Agricola, A:N:S Chorus, Janos Bali | F Major | 2 | 7B | 123 BPM | ||
| Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
| Kanon pokajanen: Ikos | Arvo Pärt, Cappella Amsterdam, Daniel Reuss | F Major | 0 | 7B | 76 BPM | ||
| Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
| Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| Illumina faciem tuam | Carlo Gesualdo, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 136 BPM | ||
| Beata viscera | Jan Garbarek, Pérotin, The Hilliard Ensemble | G Major | 0 | 9B | 138 BPM | ||
| Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | ||
| Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
| Messe Cum Jubilo, Op. 11: I. Kyrie eléison | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Minor | 1 | 7A | 120 BPM |