Giuseppe Nicolini, Sachika Ito, Aloisa Aisemberg, Min Ho Lee, Ciaran Kelly, Davide Rocca, Sung Chun Kim, Mimoza Rama, Dong Yub Lee, Paola Poncet, Amilcare Zanella Orchestra, Roberto Tolomelli's ' "Le due gemelle: Recitative. Olà, miei subalterni" was released on its scheduled release date, August 5, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 19 in the song's album "Nicolini: Le due gemelle". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. Based on our statistics, Le due gemelle: Recitative. Olà, miei subalterni's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Le due gemelle: Recitative. Olà, miei subalterni by Giuseppe Nicolini, Sachika Ito, Aloisa Aisemberg, Min Ho Lee, Ciaran Kelly, Davide Rocca, Sung Chun Kim, Mimoza Rama, Dong Yub Lee, Paola Poncet, Amilcare Zanella Orchestra, Roberto Tolomelli having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise | George Frideric Handel, Gerald Finley, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 112 BPM | ||
| Die Zauberflöte, K. 620: Der Hölle Rache kocht | Linda Campanella | F Major | 2 | 7B | 126 BPM | ||
| Egmont, complete incidental music, Op. 84: v. Lied: Freudvoll und leidvoll (Joyful and Sorrowful) | Beethoven, Maurice Abravanel, Walther Reyer, Utah Symphony Orchestra, Netania Davrath | E Minor | 2 | 9A | 82 BPM | ||
| Balduino: Recitativo e aria. Ma i figli miei… Vederla dolente (Balduino) | Giuseppe Nicolini, Franco Fagioli, Stefan Plewniak, Orchestre de l'Opéra Royal | A♭ Major | 1 | 4B | 79 BPM | ||
| Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | D Major | 2 | 10B | 119 BPM | ||
| Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (c) Allegro assai. "Freude, Freude!" - | Ludwig van Beethoven, Herbert von Karajan, Chor der Gesellschaft der Musikfreunde Wien, Elisabeth Schwarzkopf, Ernst Haefliger, Marga Höffgen, Otto Edelmann, Philharmonia Orchestra | D Major | 2 | 10B | 113 BPM | ||
| Vivaldi: Orlando furioso, RV 728, Act 3: "Poveri affetti miei siete innocenti" (Angelica) | Antonio Vivaldi, Victoria de los Ángeles, Claudio Scimone, I Solisti Veneti | E♭ Major | 1 | 5B | 94 BPM | ||
| Les Indes galantes, RCT 44, Prologue, Scène 4 - Scène 5: "Pour remplacer les cœurs" (Hébé) - "Ranimez vos flambeaux" (L'Amour, Hébé, Suite d'Hébé) | Jean-Philippe Rameau, Claron McFadden, Isabelle Poulenard, Les Arts Florissants, William Christie | F♯ Major | 1 | 2B | 102 BPM | ||
| Cherubini: Medea, Act 1: "Che? Quando gia corona Amor" (Maids, Chorus, Glauce) | Luigi Cherubini, Lidia Morimpietri, Elvira Galassi, Coro del Teatro alla Scala di Milano, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Elvira Galassi, Lidia Morimpietri, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | B♭ Major | 1 | 6B | 133 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "The Lord hath exalted thee" | Felix Mendelssohn, Bryn Terfel, Sara Fulgoni, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | A Minor | 2 | 8A | 96 BPM | ||
| Il cieco di Gerico | Giuseppe Nicolini, Coro sociale di Pressano | G Minor | 2 | 6A | 100 BPM | ||
| Fidelio, Op. 72 (Ed. Lühning & Didion), Act I: Recit. Nun sprecht, wie ging's? | Ludwig van Beethoven, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
| Semele, HWV 58 / Act 2: With Fond Desiring | George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson | D Minor | 0 | 7A | 75 BPM | ||
| Die Schöpfung Hob. XXI:2 / Erster Teil: 12. Rezitativ: Im vollen Glanze steiget jetzt | Franz Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine | D Major | 0 | 10B | 90 BPM | ||
| Mago Merlino | Orlando Dipiazza, Coro sociale di Pressano, Giuseppe Nicolini | D♭ Major | 2 | 3B | 75 BPM | ||
| Il barbiere di Siviglia / Act 1: E desso, o pur m'inganno | Gioachino Rossini, Ugo Benelli, Manuel Ausensi, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 80 BPM | ||
| Die Schöpfung Hob. XXI:2 / Erster Teil: 4. Chor mit Sopransolo: Mit Staunen sieht das Wunderwerk | Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 1 | 8B | 91 BPM | ||
| Il geloso sincerato (Highlights), Act II: Act II Scene 6: Aria: Ah! Contro me la sorte (Errighetta) | Giuseppe Nicolini, Francesca Cassinari, Amilcare Zanella Orchestra, Fabrizio Dorsi | A Major | 1 | 11B | 118 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
| L'amor mugnaio, Scenes 5-7: Ma perché farti creder suo fratello? (Live) | Giuseppe Nicolini, Wonjun Lee, Davide Rocca, Manuel Pierattelli, Patrizia Zanardi, Francesca Lanza, Orchestra Sinfonica Amilcare Zanella, Fabrizio Dorsi | C Major | 2 | 8B | 134 BPM | ||
| Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
| Elias, Op. 70, MWV A25, Part I: No. 8, Recitative, Aria "Was hast du an mir getan" (Die Witve, Elijah) | Felix Mendelssohn, Soile Isokoski, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
| Messe de requiem: III. Graduel | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | A♭ Major | 0 | 4B | 142 BPM |