Giuseppe Nicolini, Franco Fagioli, Stefan Plewniak, Orchestre de l'Opéra Royal's 'Balduino: Recitativo e aria. Ma i figli miei… Vederla dolente (Balduino)' had a release date set for January 24, 2025. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Balduino: Recitativo e aria. Ma i figli miei… Vederla dolente (Balduino)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Giuseppe Nicolini: Balduino: Recitativo e aria. Ma i figli miei… Vederla dolente (Balduino) and no other songs are present in the album, we classify this track as a single. Balduino: Recitativo e aria. Ma i figli miei… Vederla dolente (Balduino) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Balduino: Recitativo e aria. Ma i figli miei… Vederla dolente (Balduino) by Giuseppe Nicolini, Franco Fagioli, Stefan Plewniak, Orchestre de l'Opéra Royal to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
| Lux iucunda: Inno | Gregorian Chant, Anonymous, Coro sociale di Pressano, Giuseppe Nicolini | G Major | 0 | 9B | 83 BPM | ||
| Le due gemelle: Siete tutti a' miei comandi (Timpano, Giacometta, Bombetta, Marchese) | Giuseppe Nicolini, Davide Rocca, Sung Chun Kim, Mimoza Rama, Dong Yub Lee, Paola Poncet, Amilcare Zanella Orchestra, Roberto Tolomelli | F Major | 3 | 7B | 76 BPM | ||
| Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus) | Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De Strasbourg | A Major | 1 | 11B | 109 BPM | ||
| Hedges Family | Baksman | C Major | 4 | 8B | 80 BPM | ||
| L'olimpiade, RV 725: Quel destrier, che all'albergo è vicino. Licida, aria | Antonio Vivaldi, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 3 | 3B | 76 BPM | ||
| La Cenerentola / Act 2: Ah, signor, s'è ver che in petto | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
| Puer Natus Est - Live | Riccardo Giavina, Coro sociale di Pressano, Giuseppe Nicolini | F Major | 2 | 7B | 85 BPM | ||
| Christus factus est: Christus factus est: Graduale | Giovanni Vianini, Coro sociale di Pressano, Giuseppe Nicolini | A♭ Minor | 0 | 1A | 92 BPM | ||
| Donizetti: Don Pasquale, Act 2: "Quando avrete introdotto il dottor" (Pasquale) | Gaetano Donizetti, Riccardo Muti, Sesto Bruscantini, Philharmonia Orchestra | G Major | 1 | 9B | 121 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Orfeo ed Euridice: Act II, Scene 1, Ballo e Aria con Coro: Deh! Placatevi con me | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | E♭ Major | 1 | 5B | 179 BPM | ||
| Sorgi, anima amica - Mottetto | Terenzio Zardini, Coro sociale di Pressano, Giuseppe Nicolini | G Major | 0 | 9B | 83 BPM | ||
| Galuppi: La gelosia: III. Recitativo accompagnato. "Son reo, non mi difendo" | Baldassare Galuppi, Philippe Jaroussky, Artaserse | F♯ Major | 3 | 2B | 124 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 3: Aria. "Hai già vinta la causa" (Almaviva) | Wolfgang Amadeus Mozart, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen | E♭ Major | 0 | 5B | 100 BPM | ||
| H.M.S. Pinafore / Act 2: The hours creep on apace | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | C Minor | 1 | 5A | 74 BPM | ||
| Le due gemelle: Recitative. Olà, miei subalterni | Giuseppe Nicolini, Sachika Ito, Aloisa Aisemberg, Min Ho Lee, Ciaran Kelly, Davide Rocca, Sung Chun Kim, Mimoza Rama, Dong Yub Lee, Paola Poncet, Amilcare Zanella Orchestra, Roberto Tolomelli | D Major | 3 | 10B | 136 BPM | ||
| Die Schöpfung, Hob. XXI:2, Pt. 1: No. 2, Nun schwanden vor dem heiligen Strahle - Live | Joseph Haydn, Bavarian Radio Symphony Orchestra, Sir Simon Rattle, Benjamin Bruns, Bavarian Radio Chorus | B♭ Major | 3 | 6B | 117 BPM | ||
| Don Giovanni, K. 527, Act I, Aria: Madamina, il catalogo e questo | Wolfgang Amadeus Mozart, Dmitri Hvorostovsky, Dominique Labelle, Gary Relyea, Liesel Fedkenheuer, Michael Colvin, Krisztina Szabó, Alain Coulombe, Canadian Opera Company Orchestra, Richard Bradshaw | G Minor | 1 | 6A | 93 BPM | ||
| Jubilate: Offertorio | Gregorian Chant, Anonymous, Coro sociale di Pressano, Giuseppe Nicolini | G Major | 0 | 9B | 83 BPM | ||
| Poulenc: Dialogues des Carmélites, FP 159, Act 1: "Les soldats surviennent à temps" (Le Marquis, Le Chevalier) | Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon | C Major | 0 | 8B | 98 BPM | ||
| The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted | Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Harry Christophers | D Minor | 0 | 7A | 114 BPM | ||
| L'Olimpiade, RV 725, Act I Scene 3: Aria. Il darsi delle spene (Aminta) | Antonio Vivaldi, Eleonora Bellocci, Innsbrucker Festwochenorchester, Alessandro De Marchi | C Major | 2 | 8B | 82 BPM | ||
| Il geloso sincerato (Highlights), Act I: Act I Scene 6: Recitative: Questa, secondo i segni (Lelio, Prospero) | Giuseppe Nicolini, Valentino Salvini, Amilcare Zanella Orchestra, Gian Luca Pasolini, Fabrizio Dorsi | C Major | 1 | 8B | 79 BPM | ||
| Notti in montagna | Zoltán Kodály, Coro sociale di Pressano, Giuseppe Nicolini | A Minor | 0 | 8A | 86 BPM |