Mohammed Rafi's ' "Dukh Sukh Donon Tan Ke Kapde" was released on its scheduled release date, January 1, 1977. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The song is number 4 out of 8 in Bhakti Main Shakti by Sonik Omi, Inderjit Singh Tulsi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Dukh Sukh Donon Tan Ke Kapde's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Dukh Sukh Donon Tan Ke Kapde by Mohammed Rafi is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ek Adhurisa Mulaqat | Bhupinder Singh | E Minor | 3 | 9A | 100 BPM | ||
| Mujhko Apne Gale Laga Lo | Mubarak Begum, Mohammed Rafi | D Minor | 2 | 7A | 71 BPM | ||
| Ishwar Tu Pan Chhe Vignani | NARAYANSWAMI | E Major | 6 | 12B | 120 BPM | ||
| Pal Pal Beet Raha | Mohammed Rafi, Shreekant | A♭ Major | 5 | 4B | 86 BPM | ||
| Muskurayen Khet Pyase Tarse | Mohammed Rafi, Suman Kalyanpur | F♯ Minor | 4 | 11A | 174 BPM | ||
| Thumak Thumak Teri Chaal Mastani | Mohammed Rafi | D Major | 5 | 10B | 82 BPM | ||
| Hairaan Dekhkar Ho Khuda | Vipin Sachdeva | G Major | 8 | 9B | 114 BPM | ||
| Jamuna Mein Kude Shyam | Piyusha-Kailash Anuj | A♭ Minor | 6 | 1A | 100 BPM | ||
| Jise Maut Aai | K. J. Yesudas, Laxmikant–Pyarelal | B Minor | 5 | 10A | 133 BPM | ||
| Main Akela Ja Raha Tha | Mohammed Rafi, Rajendra Krishan | A Minor | 2 | 8A | 100 BPM | ||
| Tum Meri Zindagi Ho | Jaspal Singh, Aarti Mukherji | B♭ Major | 5 | 6B | 107 BPM | ||
| Samne Aaj Donon Jahan Ke Aa | Suman Kalyanpur, Mohammed Rafi, Laxmikant–Pyarelal | A♭ Major | 4 | 4B | 202 BPM | ||
| Udki Yaadon Ke Jo Aakhri Thhe Nishan | Agam Kumar Nigam | F♯ Major | 6 | 2B | 80 BPM | ||
| Aaya Hoon Badi Door Se - Jhankar | Vipin Sachdeva | C Major | 8 | 8B | 125 BPM | ||
| Ae Zindagi Ka Rahi | Talat Mahmood, S. D. Burman | B Minor | 1 | 10A | 177 BPM | ||
| Dukh Sukh Donon Tan Ke Kapde | Mohammed Rafi | F♯ Minor | 4 | 11A | 174 BPM | ||
| Maine Daba Lee Thi Jo Aag Seene Mein | Anuradha Paudwal | D♭ Minor | 5 | 12A | 85 BPM | ||
| Dil Ko Laga Ke Ham Ne | Uma Devi | G Minor | 3 | 6A | 130 BPM | ||
| O Meri Behna | Bappi Lahiri, S. P. Balasubrahmanyam | D♭ Minor | 3 | 12A | 154 BPM | ||
| Dhalak Rahi Ho Tan Ke Ghat Se | Manna Dey | D♭ Minor | 1 | 12A | 68 BPM | ||
| Vada Na Tera Toote | Jagmohan Sursagar | B♭ Major | 4 | 6B | 92 BPM | ||
| Hum Ishq Ke Maron Ka | Yusuf Azad Qawwal | D♭ Minor | 8 | 12A | 175 BPM | ||
| Mera Yaar Chala | Attaullah Khan | A♭ Major | 6 | 4B | 109 BPM | ||
| Sab Jawan Sab Haseen | Mohammed Rafi | F♯ Minor | 4 | 11A | 174 BPM | ||
| Madhur Milan Ka Chitra Banaye | Maya Banerjee, Surendra | F♯ Minor | 4 | 11A | 174 BPM |